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|a 9780520963047
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|b .W678 1992eb
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|a Worthen, William B.,
|d 1955-
|e author.
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|a Modern drama and the rhetoric of theater /
|c W.B. Worthen.
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|a Berkeley, California :
|b University of California Press,
|c 1992.
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|c ©1992
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|a 1 online resource (241 pages)
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|a text
|b txt
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|a computer
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|a online resource
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|a data file
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover; Contents; Acknowledgments; Introduction; 1. Theater and the Scene of Vision; Chekhov's Camera: The Rhetoric of Stage Realism; Invisible Women: Problem Drama, 1890-1920; 2. Actors and Objects; Invisible Actors: O'Neill, the Method, and the Masks of Character -- Visible Scenes: American Realism and the Absent Audience; Empty Spaces and the Power of Privacy: Pinter, Shepard, and Bond; 3. Scripted Bodies: Poetic Theater; Poetic Theater and the Work of Acting; The Discipline of Speech: Yeats's Dance Drama; The Discipline of Performance: The Dance of Death and Murder in the Cathedral
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|a The Discipline of the Text: Beckett's Theater4. Political Theater: Staging the Spectator; Transforming the Field of Theater; Breaking the Frame of History: Hitler Dances and The Churchill Play; History and the Frame of Genre: Laughter! and Poppy; Framing Gender: Cloud Nine and Fefu and Her Friends; Postscript: Sidi's Image: Theater and the Frame of Culture; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
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|a The history of drama is typically viewed as a series of inert ""styles."" Tracing British and American stage drama from the 1880s onward, W.B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the ""natural"" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast,
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a English drama
|y 20th century
|x History and criticism.
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|a American drama
|y 20th century
|x History and criticism.
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|a Theater
|x Production and direction
|x History
|y 20th century.
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|a Theater
|z English-speaking countries
|x History
|y 20th century.
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|a Théâtre anglais
|y 20e siècle
|x Histoire et critique.
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|a Théâtre américain
|y 20e siècle
|x Histoire et critique.
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|a Théâtre
|x Production et mise en scène
|x Histoire
|y 20e siècle.
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|a Théâtre
|z Anglophonie
|x Histoire
|y 20e siècle.
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a American drama.
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|0 (OCoLC)fst00806998
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|a English drama.
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|0 (OCoLC)fst00910737
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|a Theater.
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|0 (OCoLC)fst01149217
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|a Theater
|x Production and direction.
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|0 (OCoLC)fst01149278
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|a English-speaking countries.
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|0 (OCoLC)fst01261775
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|a 1900-1999
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
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|0 (OCoLC)fst01411628
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|i Print version:
|a Worthen, William B., 1955-
|t Modern drama and the rhetoric of theater.
|d Berkeley, California : University of California Press, ©1992
|h x, 230 pages
|z 9780520286870
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856 |
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|u https://jstor.uam.elogim.com/stable/10.1525/j.ctt13x1gp4
|z Texto completo
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