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Refiguring the real : picture and modernity in word and image, 1400-1700 /
In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture-particularly literature, philosophy, religion, and science. Because critics have...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
1993.
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| Colección: | Princeton legacy library.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Braider, Christopher, |d 1950- |e author. | |
| 245 | 1 | 0 | |a Refiguring the real : |b picture and modernity in word and image, 1400-1700 / |c Christopher Braider. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c 1993. | |
| 264 | 4 | |c ©1993 | |
| 300 | |a 1 online resource (337 pages) : |b illustrations | ||
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| 490 | 1 | |a Princeton Legacy Library | |
| 500 | |a Includes index. | ||
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| 520 | |a In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture-particularly literature, philosophy, religion, and science. Because critics have conventionally explained visual images in terms of verbal texts (Scripture, heroic poetry, and myth), they have undervalued the impact of the pictorial naturalism practiced by painters from the fifteenth century onward and the fundamentally new conception of reality it conveys. By reinterpreting m. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Illustrations -- |t Acknowledgments -- |t Introduction -- |t 1. Una più grassa Minerva: The Origins of Perspective and the Aesthetics of the Incarnation in Alberti's Della pittura -- |t 2. La vérité en peinture: Space, Place, and Truth in Rogier van der Weyden's St. Ivo -- |t 3. Landscape with the Fall of Icarus: The Death of Allegory and the Discovery of the World in the Elder Pieter Bruegel -- |t 4. A Double-Silvered Glass: Christian Imitation and the "Curious Perspective" in Cervantes's Don Quijote -- |t 5. Idols of the Mind: Baroque Illusion, Theatrical Persuasion, and the Aesthetics of Iconoclasm in Jan Steen -- |t 6. The Denuded Muse: The Unmasking of Point of View in the Cartesian Cogito and Vermeer's The Art of Painting -- |t 7. The Art of Mis/Reading Art: Text, Image, and Modernity in Rembrandt's Philosopher -- |t 8. Et in Anadia Ego: The End of Ut Pictura and the Invention of the Aesthetic in Nicolas Poussin -- |t Conclusion -- |t Notes -- |t Index |
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| 650 | 0 | |a Ut pictura poesis (Aesthetics) | |
| 650 | 0 | |a Arts, Medieval. | |
| 650 | 0 | |a Arts, Modern. | |
| 650 | 6 | |a Ut pictura poesis (Esthétique) | |
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| 650 | 7 | |a Arts, Modern. |2 fast |0 (OCoLC)fst00818137 | |
| 650 | 7 | |a Ut pictura poesis (Aesthetics) |2 fast |0 (OCoLC)fst01163251 | |
| 776 | 0 | 8 | |i Print version: |a Braider, Christopher, 1950- |t Refiguring the real : picture and modernity in word and image, 1400-1700. |d Princeton, New Jersey : Princeton University Press, ©1993 |h xiv, 314 pages |k Princeton legacy library. |z 9780691600291 |w (DLC) 92002260 |
| 830 | 0 | |a Princeton legacy library. | |
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