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The power to change geography /

Writing about poetry Diana Ó Hehir says, ""I think of poetry as harnessed energy-as a marvelous way of taking the chaotic emotion, the turbulent perception, and recreating them as images that are specific, definite, directed. Miraculously, when this process works, it's one of expansi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: O'Hehir, Diana, 1922-2021 (Autor)
Otros Autores: Egan, Laury A. (Diseñador)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, 1979.
Colección:Princeton legacy library.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The power to change geography /  |c Diana Ó Hehir ; designed by Laury A. Egan. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c 1979. 
264 4 |c ©1979 
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520 |a Writing about poetry Diana Ó Hehir says, ""I think of poetry as harnessed energy-as a marvelous way of taking the chaotic emotion, the turbulent perception, and recreating them as images that are specific, definite, directed. Miraculously, when this process works, it's one of expansion rather than diminution; the fortunate poet can reach out beyond the walls of separate personality into a general air that everyone breathes. I think of my own poetry as intense, imagistic, surreal, and personal, and try to write about perceptions which have pushed me toward change or renewal."" For the last s. 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t I --  |t They Arrive This Morning --  |t The Power to Change Geography --  |t The Retarded Children Find a World Built Justfor Them --  |t The Prophet of Salt Lake City --  |t Called --  |t Vision; Fire Underground --  |t I Attend the Saint's Death --  |t Waterfall --  |t II --  |t The Days Are Getting Shorter --  |t Alone by the Road's Edge --  |t A Landscape Never Explored --  |t Vision of Bea --  |t In Mexico: The Indian Woman --  |t We Live in the Ice Country --  |t Survivor --  |t Threatened --  |t Victim --  |t Illinois Central Hospital --  |t The Sea Creature --  |t House --  |t The Child at the End of the World --  |t III --  |t Living on the Earthquake Fault --  |t Growing Coal --  |t The Worst Motel --  |t Besieged --  |t Cars Go by Outside, One After Another --  |t An Isthmus in the Bay --  |t Maude's Bar Like --  |t Are You Concerned for Your Safety, Alone in the House? --  |t Ship Wreck --  |t January Class: It Hasn't Rained for Seven Months --  |t IV --  |t In the Basement of my First House --  |t Recluse --  |t Four A.M. --  |t Our World, and Us, Remade by Heat --  |t Metastasis --  |t Anger --  |t Waiting for my Eyes to Open on Day --  |t Night's End --  |t The Place Where Dreams Stop --  |t New Tenants --  |t V --  |t After the Cataclysm --  |t Watching --  |t How to Forgive --  |t Metamorphosis --  |t Recovering Exorcising Ghosts --  |t Exorcising Ghosts --  |t Learning to Type --  |t Reprieved --  |t After You're All in Bed --  |t Home --  |t Anima --  |t Backmatter 
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650 0 |a English poetry. 
650 6 |a Poésie anglaise. 
650 7 |a POETRY  |x General.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 7 |a English poetry  |2 fast 
700 1 |a Egan, Laury A.,  |e designer. 
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