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Time and the novel : the genealogical imperative /

Formalist criticism of the modern novel has concentrated on its spatial aspects. Patricia Tobin focuses, instead, on the modern novel's temporal structure. She notes that the ""genealogical imperative"" that dominated the nineteenth-century novel, in which one event gave bir...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tobin, Patricia Drechsel, 1935-2005 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, 1978.
Colección:Princeton legacy library.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a Formalist criticism of the modern novel has concentrated on its spatial aspects. Patricia Tobin focuses, instead, on the modern novel's temporal structure. She notes that the ""genealogical imperative"" that dominated the nineteenth-century novel, in which one event gave birth to another, has broken down in the twentieth-century novels she studies. Further, she draws parallels between this collapse of linear narrative and the current challenge to linearity from many other areas of modern thought. Beginning with Mann's Buddenbrooks as a family chronicle novel that fully embodies the classica 
505 0 0 |t Frontmatter --  |t Contents --  |t Preface --  |t INTRODUCTION. Whence the Novel: The Genealogical Imperative --  |t 1. Subverting the Father: Some Nineteenth-Century Precursors --  |t 2. "Links in a Chain": Thomas Mann, Bnddenbrooks --  |t 3. The Cycle Dance: D.H. Lawrence, The Rainbow --  |t 4. "The Shadowy Attenuation of Time": William Faulkner, Absalom, Absalom! --  |t 5. "A Colored Spiral in a Ball of Glass": "Vladimir Nabokov, Ada, or Ardor: A Family Chronicle --  |t 6. "Everything Is Known": Gabriel Garcia Marquez, One Hundred Years of Solitude --  |t CONCLUSION. Whither the Novel: The Wager on Surface --  |t Notes --  |t Index --  |t Backmatter 
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