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Opera in the development of German critical thought /
Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
1978.
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| Colección: | Princeton legacy library.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Flaherty, Gloria, |d 1938-1992, |e author. | |
| 245 | 1 | 0 | |a Opera in the development of German critical thought / |c Gloria Flaherty. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c 1978. | |
| 264 | 4 | |c ©1978 | |
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| 504 | |a Includes bibliographical references and index. | ||
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| 520 | |a Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and aga. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t PREFACE -- |t INTRODUCTION -- |t ONE: ANCIENT OR MODERN -- |t TWO: RULE BY PRECEDENT OR BY CODE -- |t THREE: CONTINUITY IN CHANGE -- |t FOUR: COLLISION AND CONCESSION -- |t FIVE: TRADITION, TRANSFORMATION, AND TRANSITION -- |t SIX: INTERACTION IN BERLIN AT MID-CENTURY -- |t SEVEN: LESSING'S CONSOLIDATION -- |t EIGHT. ASSERTION OF CULTURAL IDENTITY -- |t NINE: CULMINATION AND CONTINUATION: WIELAND -- |t EPILOGUE -- |t NOTES -- |t BIBLIOGRAPHY -- |t INDEX -- |t Backmatter |
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| 650 | 0 | |a Opera |z Germany |y 18th century. | |
| 651 | 0 | |a Germany |x Intellectual life. | |
| 651 | 6 | |a Allemagne |x Vie intellectuelle. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Flaherty, Gloria, 1938- |t Opera in the development of German critical thought. |d Princeton, New Jersey : Princeton University Press, ©1978 |h xi, 382 pages |k Princeton legacy library. |z 9780691601274 |
| 830 | 0 | |a Princeton legacy library. | |
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