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Fiery cinema : the emergence of an affective medium in China, 1915-1945 /
Cinema in modern China was a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao's term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame per...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis, MN :
University of Minnesota Press,
[2015]
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| Colección: | Quadrant Book
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Resonance. Fiery action: toward an aesthetics of new heroism
- A culture of resonance: hypnotism, wireless cinema, and the invention of intermedial spectatorship
- Transparency. Dances of fire: mediating affective immediacy
- Transparent Shanghai: cinema, architecture, and a left-wing culture of glass
- Agitation. "A vibrating art in the air": the infinite cinema and the media ensemble of propaganda
- Baptism by fire: atmospheric war, agitation, and a tale of three cities.