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Making Asian American film and video : histories, institutions, movements /

The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Okada, Jun, 1973-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, N.J. : Rutgers University Press, 2015.
Colección:Asian American studies today.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Okada, Jun,  |d 1973- 
245 1 0 |a Making Asian American film and video :  |b histories, institutions, movements /  |c Jun Okada. 
264 1 |a New Brunswick, N.J. :  |b Rutgers University Press,  |c 2015. 
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490 1 |a Asian American Studies Today 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: the shared history of Asian American film and video and public interest media -- Noble and uplifting and boring as hell: Asian American film and video, 1971-1982 -- The Center for Asian American Media and the televisual public sphere -- Pathology as authenticity: ITVs, Terminal USA, and the televisual struggle over positive/negative images -- Dismembered from history: the counternostalgia of Gregg Araki -- Better luck tomorrow and the transnational reframing of Asian American film and video -- Post Asian American feature film: the persistence of institutionality in finishing the game: the search for a new Bruce Lee and American zombie -- Afterword. 
588 0 |a Print version record. 
520 |a The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the "PBS style" unites these filmmakers, whether they are working within that system or setting themsel 
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650 0 |a Asian Americans in motion pictures. 
650 0 |a Asian Americans in the motion picture industry. 
650 6 |a Américains d'origine asiatique au cinéma. 
650 6 |a Américains d'origine asiatique dans l'industrie cinématographique. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
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650 7 |a Asian Americans in the motion picture industry.  |2 fast  |0 (OCoLC)fst00818679 
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