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Fusing lab and gallery : device art in Japan and international nano art /

Why do Japanese artists team up with engineers in order to create so-called "Device Art"? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and scien...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schlachetzki, Sarah M.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Piscataway, NJ : Transcript Verlag ; [Distributed by] Transaction Publishers, ©2012.
Colección:Image (Transcript (Firm)) ; v. 36.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 0 |t Frontmatter --  |t Content --  |t Introduction --  |t Thanks --  |t I. Art and Technology in Japan -- Some Intersections --  |t II. From Disenchantment to Re-enchantment --  |t III. Media Art and the Future --  |t Epilog --  |t Bibliography --  |t Illustration Credits --  |t Backmatter. 
520 |a Why do Japanese artists team up with engineers in order to create so-called "Device Art"? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on "art & science", interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future 
546 |a In English. 
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