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The End of Cinema? : a Medium in Crisis in the Digital Age.
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the 'double birth of media', André Gaudreault and Philippe Marion take a positive look at cinema'...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
New York :
Columbia University Press,
2015.
©2015 |
| Colección: | Film and culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gaudreault, André. | |
| 245 | 1 | 4 | |a The End of Cinema? : |b a Medium in Crisis in the Digital Age. |
| 260 | |a New York : |b Columbia University Press, |c 2015. | ||
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (257 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Film and Culture Series | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: The end of cinema? -- Cinema is not what it used to be -- Digitalizing cinema from top to bottom -- A brief phenomenology of 'digitalized' cinema -- From shooting to filming: the Aufhebung effect -- A medium is always born twice -- New variants of the moving image -- 'Animage' and the new visual culture -- Conclusion: A medium in crisis in the digital age. | |
| 520 | 8 | |a Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the 'double birth of media', André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Motion pictures |x Technological innovations. | |
| 650 | 0 | |a Motion pictures |x Social aspects. | |
| 650 | 0 | |a Digital media. | |
| 650 | 6 | |a Cinéma |x Aspect social. | |
| 650 | 6 | |a Médias numériques. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 6 | |a Cinéma |x Innovations. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a Digital media |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Technological innovations |2 fast | |
| 700 | 1 | |a Marion, Philippe. | |
| 700 | 1 | |a Barnard, Timothy. | |
| 776 | 0 | 8 | |i Print version: |a Gaudreault, André. |t End of Cinema? : A Medium in Crisis in the Digital Age. |d New York : Columbia University Press, ©2015 |z 9780231173575 |
| 830 | 0 | |a Film and culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7312/gaud17356 |z Texto completo |
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