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Surveillance cinema /
In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent onl...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
New York University Press,
[2015]
|
| Colección: | Postmillennial pop.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Zimmer, Catherine, |d 1969- |e author. | |
| 245 | 1 | 0 | |a Surveillance cinema / |c Catherine Zimmer. |
| 264 | 1 | |a New York : |b New York University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xi, 273 pages) | ||
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| 490 | 1 | |a Postmillennial Pop | |
| 520 | |a In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and t. | ||
| 504 | |a Includes bibliographical references (pages 251-259) and index. | ||
| 505 | 0 | |a Introduction: Surveillance cinema in theory and practice -- Video surveillance, torture porn, and zones of indistinction -- Commodified surveillance: first-person cameras, the internet, and compulsive documentation -- The global eye: satellite, GPS, and the "geopolitical aesthetic" -- Temporality and surveillance I: terrorism narratives and the melancholic security state -- Temporality and surveillance II: surveillance, remediation, and social memory in strange days -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Electronic surveillance in motion pictures. | |
| 650 | 6 | |a Surveillance électronique au cinéma. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a Electronic surveillance in motion pictures. |2 fast |0 (OCoLC)fst01903102 | |
| 776 | 0 | 8 | |i Print version: |a Zimmer, Catherine, 1969- |t Surveillance cinema. |d New York : New York University Press, [2015] |z 9781479864379 |w (DLC) 2014040538 |w (OCoLC)893452397 |
| 830 | 0 | |a Postmillennial pop. | |
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