Rubble, ruins and romanticism : visual style, narration and identity in German post-war cinema /

Examines the so-called rubble films, usually seen as simplistic texts reaffirming "good Germans during bad times" views, finding in some of them visual and narrative romantic discourse which provokes critical discussion on German national identity in the wake of the Third Reich.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Moeller, Martina (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript, [2013]
Colección:Film (Transcript (Firm))
Temas:
1900-1999
Rubble films.
Motion pictures > Germany > History.
Motion pictures > Germany > 20th century.
Motion pictures > Germany > History and criticism.
Germans in motion pictures.
Films des décombres.
Cinéma > Allemagne > Histoire.
Cinéma > Allemagne > 20e siècle.
Cinéma > Allemagne > Histoire et critique.
SOCIAL SCIENCE / Popular Culture.
Germans in motion pictures
Motion pictures
Rubble films
Deutschland > Motiv
Erzähltechnik
Nationalbewusstsein > Motiv
Trümmerfilm
Germany > In motion pictures.
Germany
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The neoformalist approach : questions of form and style. Film as an aesthetic system
  • The result of construction : meaning
  • German romanticism : the stylistic origin of rubble films. Leading stylistic and narrative romantic devices
  • Ruins and fragment : a romantic discourse on crisis
  • The romantic discourse in a selection of rubble films. Rubble films : common features and main differences
  • The romantic discourse
  • The murderers are among us (1946) : a break with Nazi cinema?
  • Film without a name (1947/48) : irony shall help us!
  • The Blum affair (1948) : Engel's critical view on the past
  • The 'last' illusion (1948/49) : double views and mistaken perception
  • Second hand destiny (1949) : the demonic bourgeois
  • The lost (1950/51) : no escape?
  • Conclusion.

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