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Antimodernism and artistic experience : policing the boundaries of modernity /
Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, histor...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto ; Buffalo ; London :
University of Toronto Press,
[2001]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Foreword
- Acknowledgments
- Antimodernism and artistic experience: an introduction
- Introduction: around and about modernity: some comments on themes of primitivism and modernism
- Performing the Native woman: primitivism and mimicry in early twentieth-century visual culture
- The colonial lens: Gauguin, primitivism, and photography in the fin de siècle
- Emily Carr and the traffic in Native images
- Introduction: staging antimodernism in the age of high capitalist nationalism
- Modernists and folk on the lower St. Lawrence: the problem of folk art
- Handicrafts and the logic of 'commercial antimodernism': the Nova Scotia case
- Bushwhackers in the gallery: antimodernism and the Group of Seven
- Introduction: modernity, nostalgia, and the standardization of time
- Artisans and art nouveau in fin-de-siècle Belgium: primitivism and nostalgia
- Van Gogh in the south: antimodernism and exoticism in the Arlesian paintings
- Plays without people: shadows and puppets of modernity in fin-de-siecle Paris
- Primitivism in Sweden: dormant desire or fictional identity?