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Legitimizing the artist : manifesto writing and European modernism, 1885-1915 /
In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto, Ontario :
University of Toronto Press,
[2003]
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| Colección: | Toronto Italian studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: The Artist in Modernity
- 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics
- A History of the Manifesto (1550-1850)
- How to be a Decadent: Art, Politics, and Society in the
- Manifestoes of Anatole Baju
- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism
- From Decadentism to Futurism
- Advertising Futurism
- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism
- 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914
- The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.