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|a 22573/ctt130g4c9
|b JSTOR
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|a e------
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|a w8x1
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|a N6758.5.M63
|b S64 2004eb
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|a N6757.5*
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|a N6758.5 M63
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|a LIT004130
|2 bisacsh
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|a UAMI
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|a Somigli, Luca,
|e author.
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|a Legitimizing the artist :
|b manifesto writing and European modernism, 1885-1915 /
|c Luca Somigli.
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|a Toronto, Ontario :
|b University of Toronto Press,
|c [2003]
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|a Ottawa, Ontario :
|b Canadian Electronic Library,
|c 2015.
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|c ©2003
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|a 1 online resource (viii, 296 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Toronto Italian studies
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|a Includes bibliographical references (pages 267-283) and index.
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|a Introduction: The Artist in Modernity -- 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics -- A History of the Manifesto (1550-1850) -- How to be a Decadent: Art, Politics, and Society in the -- Manifestoes of Anatole Baju -- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism -- From Decadentism to Futurism -- Advertising Futurism -- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism -- 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 -- The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.
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|a In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Marinetti, Filippo Tommaso
|d 1876-1944
|2 gnd
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|a Modernism (Art)
|z Europe.
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|a Modernism (Literature)
|z Europe.
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|a Futurism (Art)
|z Europe.
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650 |
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|a Futurism (Literary movement)
|z Europe.
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650 |
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|a Avant-garde (Aesthetics)
|z Europe
|x History
|y 19th century.
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|a Avant-garde (Aesthetics)
|z Europe
|x History
|y 20th century.
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|a Revolutionary literature
|x History and criticism.
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|a Modernisme (Art)
|z Europe.
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|a Modernisme (Littérature)
|z Europe.
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650 |
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|a Futurisme (Art)
|z Europe.
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650 |
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|a Futurisme (Mouvement littéraire)
|z Europe.
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|a Avant-garde (Art)
|z Europe
|x Histoire
|y 19e siècle.
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|a Avant-garde (Art)
|z Europe
|x Histoire
|y 20e siècle.
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|a Littérature révolutionnaire
|x Histoire et critique.
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|a LITERARY CRITICISM
|x European
|x General.
|2 bisacsh
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|a Avant-garde (Aesthetics)
|2 fast
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|a Futurism (Art)
|2 fast
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|a Futurism (Literary movement)
|2 fast
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650 |
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7 |
|a Modernism (Art)
|2 fast
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|a Modernism (Literature)
|2 fast
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|a Revolutionary literature
|2 fast
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|a Europe
|2 fast
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|a Künstler
|2 gnd
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|a Futurismus
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|a Vortizismus
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|a Quelle
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|a Selbstverständnis
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|a Kunst
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|a Ästhetik
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|a Manifesten.
|2 gtt
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|a Kunstenaars.
|2 gtt
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|a Legitimiteit.
|2 gtt
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|a 1800-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|z 0802037615
|z 9780802037619
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|a Toronto Italian studies.
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|u https://jstor.uam.elogim.com/stable/10.3138/j.ctt130jvhd
|z Texto completo
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938 |
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|a Project MUSE
|b MUSE
|n musev2_106745
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|a Canadian Electronic Library
|b CELB
|n 418468
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|b EBLB
|n EBL3296807
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938 |
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|b EBSC
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|b YANK
|n 12228551
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|b IZTAP
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