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Postnaturalism : Frankenstein, film, and the anthropotechnical interface /

"Postnaturalism" offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Denson, Shane (Autor)
Otros Autores: Hansen, Mark B. N. (Mark Boris Nicola), 1965- (writer of foreword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld [Germany] : Transcript, [2014]
Colección:Film (Transcript (Firm))
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Denson, Shane,  |e author. 
245 1 0 |a Postnaturalism :  |b Frankenstein, film, and the anthropotechnical interface /  |c Shane Denson ; with a foreword by Mark B.N. Hansen. 
264 1 |a Bielefeld [Germany] :  |b Transcript,  |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (432 pages) :  |b illustrations 
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500 |a Originally presented as the author's doctoral thesis at the Gottfried Wilhelm Leibniz Universität Hannover. 
504 |a Includes bibliographical references. 
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505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgements --  |t Foreword: Logics of Transition /  |r Hansen, Mark B.N. --  |t 1. Introduction: Monster Movies and Metaphysics --  |t 2. Frankenstein's Filmic Progenies: A Techno-Phenomenological Approach --  |t 3. Monsters in Transit: Edison's Frankenstein --  |t 4. To the Heart of (the) Matter: Frankenstein, Embodiment, Materiality --  |t 5. Of Steam Engines, Revolutions, and the (Un)natural History of Matter: A Techno-Scientific Interlude --  |t 6. Re-Focusing Cinematic Double Vision: Seriality, Mediality, and Mediation in Postnatural Perspective --  |t 7. Universal Monsters and Monstrous Particulars --  |t 8. Lines of Flight: Transitional Thoughts by Way of Conclusion --  |t Works Cited. 
520 |a "Postnaturalism" offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B.N. Hansen 
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650 0 |a Frankenstein films  |x Philosophy. 
650 0 |a Postmodernism. 
650 0 |a Naturalism. 
650 6 |a Films de Frankenstein  |x Philosophie. 
650 6 |a Postmodernisme. 
650 6 |a Naturalisme. 
650 7 |a naturalism (philosophical movement)  |2 aat 
650 7 |a PHILOSOPHY  |x History & Surveys  |x General.  |2 bisacsh 
650 7 |a PHILOSOPHY  |x Movements  |x Deconstruction.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Media Studies  |2 bisacsh 
650 7 |a Naturalism.  |2 fast  |0 (OCoLC)fst01034534 
650 7 |a Postmodernism.  |2 fast  |0 (OCoLC)fst01073164 
700 1 |a Hansen, Mark B. N.  |q (Mark Boris Nicola),  |d 1965-  |e writer of foreword. 
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