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From self-fulfillment to survival of the fittest : work in European cinema from the 1960s to the present /

Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mazierska, Ewa (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [New York] : Berghahn, 2015.
Colección:Berghahn on film
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Mazierska, Ewa,  |e author. 
245 1 0 |a From self-fulfillment to survival of the fittest :  |b work in European cinema from the 1960s to the present /  |c Ewa Mazierska. 
264 1 |a [New York] :  |b Berghahn,  |c 2015. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Berghahn on film 
500 |a "Berghahn on film." 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Homo faber and the work of cinema -- The 1960: in search of self-fulfilment -- The 1970s: seeking change -- The 1980s: learning to survive -- The 1990s, the 2000s and beyond: moving towards the unknown -- Conclusions towards the new cinema of work and idleness. 
588 0 |a Online resource; title from digital title page (viewed on February 17, 2015). 
520 |a Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DusanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others. 
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650 0 |a Work in motion pictures. 
650 0 |a Working class in motion pictures. 
650 0 |a Motion pictures  |z Europe  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Europe  |x History  |y 21st century. 
650 0 |a Labor in motion pictures. 
650 6 |a Travail au cinéma. 
650 6 |a Travailleurs au cinéma. 
650 6 |a Cinéma  |z Europe  |x Histoire  |y 20e siècle. 
650 6 |a Cinéma  |z Europe  |x Histoire  |y 21e siècle. 
650 7 |a BUSINESS & ECONOMICS  |x Labor.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film / History & Criticism  |2 bisacsh 
650 7 |a Labor in motion pictures.  |2 fast  |0 (OCoLC)fst02021251 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Work in motion pictures.  |2 fast  |0 (OCoLC)fst01905198 
650 7 |a Working class in motion pictures.  |2 fast  |0 (OCoLC)fst01180558 
651 7 |a Europe.  |2 fast  |0 (OCoLC)fst01245064 
648 7 |a 1900-2099  |2 fast 
653 |a Performing Arts 
653 |a Film 
653 |a History & Criticism 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
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