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150210s2015 nyua ob 001 0 eng d |
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|a CN3GA
|b eng
|e pn
|c CN3GA
|d OCLCO
|d E7B
|d OCLCF
|d JSTOR
|d OCLCO
|d RECBK
|d OCL
|d OCLCQ
|d OCLCO
|d STBDS
|d IOG
|d DEGRU
|d U3W
|d EZ9
|d STF
|d INT
|d OTZ
|d OCLCQ
|d LVT
|d YOU
|d OCLCQ
|d LEAUB
|d AU@
|d OCLCQ
|d OCL
|d SNU
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|d OCLCQ
|d DGITA
|d OCLCQ
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|a 1162291981
|a 1164784144
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|a 0231850794
|q (electronic bk.)
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|a 9780231850797
|q (electronic bk.)
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|z 9780231174480
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|z 0231174489
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|a 10.7312/smit17448
|2 doi
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|a GBVCP
|b 1014962811
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|a (OCoLC)903572628
|z (OCoLC)1162291981
|z (OCoLC)1164784144
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|a 22573/ctt13k075d
|b JSTOR
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|a n-us-il
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|a PN1993.5.U74
|b S55 2015
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|a PER004030
|2 bisacsh
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|a PER004020
|2 bisacsh
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|a 384/.80977311
|2 23
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|a UAMI
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|a Smith, Michael Glover,
|e author.
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|a Flickering empire :
|b how Chicago invented the U.S. film industry /
|c Michael Glover Smith and Adam Selzer.
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|a New York :
|b Wallflower Press Book published by Columbia University Press,
|c [2015]
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Print version record.
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|a This is the fascinating yet little-known story of how Chicago served as the unlikely capital of American film production in the years before the rise of Hollywood (1907-1913). It illustrates the rise and fall of the major Chicago movie studios in the mid-silent era (focusing principally on the Essanay and Selig Polyscope studios). It introduces colourful, larger-than-life historical figures, including Thomas Edison, Charlie Chaplin, Oscar Micheaux, and Orson Welles, and shows that they were major players in the narrative of the city's involvement in film.
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|t Frontmatter --
|t Table of Contents --
|t Acknowledgments --
|t FOREWORD --
|t Persons Discussed in Flickering Empire --
|t PREFACE: Hollywood Before Hollywood --
|t Part One: Thomas Edison, Invention and the Dawn of a New Chicago --
|t 1. Edison's Kinetoscope and Pre-Motion-Picture Entertainment --
|t 2. The Columbian Exposition --
|t 3. The Dawn of Exhibition --
|t Part Two: Chicago Rising --
|t 4. Colonel William Selig --
|t 5. George Spoor, George Kleine, and the Rise of the Nickelodeon --
|t 6. Gilbert "Broncho Billy" Anderson --
|t 7. The Edison Trust --
|t Part Three: The Golden Age of Chicago Film Production --
|t 8. The Golden Age of Essanay --
|t 9. The Golden Age of Selig Polyscope --
|t 10. Essanay Signs Charlie Chaplin --
|t 11. Chaplin in Chicago: His New Job --
|t Part Four: It All Came Crashing Down --
|t 12. The Decline Of The Chicago Studios --
|t 13. Major M.L.C. Funkhouser And The Chicago Censorship Code --
|t Epilogue --
|t Post-Script: Oscar and Orson --
|t Appendix A: Selig Polyscope's Pointers on Picture Acting --
|t Appendix B: A Complete List of the Extant Chicago-Shot Films Named in this Book and Where to See Them --
|t Appendix C: Some Censored Scenes of Chicago Films Noted in Local Newspapers --
|t Endnotes --
|t Index.
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|a English.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Motion picture industry
|z Illinois
|z Chicago
|x History
|y 19th century.
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650 |
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6 |
|a Cinéma
|x Industrie
|z Illinois
|z Chicago
|x Histoire
|y 19e siècle.
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650 |
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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650 |
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|a Motion picture industry.
|2 fast
|0 (OCoLC)fst01027150
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651 |
|
7 |
|a Illinois
|z Chicago.
|2 fast
|0 (OCoLC)fst01204048
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648 |
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|a 1800-1899
|2 fast
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655 |
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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700 |
1 |
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|a Selzer, Adam,
|e author.
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776 |
0 |
8 |
|i Print version:
|z 9780231174480
|z 0231174489
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.7312/smit17448
|z Texto completo
|
936 |
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|a BATCHLOAD
|
938 |
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|a Digitalia Publishing
|b DGIT
|n DIGCOLUP1134
|
938 |
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|a De Gruyter
|b DEGR
|n 9780231850797
|
938 |
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|a ebrary
|b EBRY
|n ebr11022461
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938 |
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|a Oxford University Press USA
|b OUPR
|n EDZ0001248622
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938 |
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|a Recorded Books, LLC
|b RECE
|n rbeEB00640551
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994 |
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|a 92
|b IZTAP
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