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Autobiographical identities in contemporary Arab culture /

This original exploration of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques such as e...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anishchenkova, Valerie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2014]
Colección:Edinburgh studies in modern Arabic literature.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Autobiographical identities in contemporary Arab culture /  |c Valerie Anishchenkova. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (x, 226 pages) :  |b illustrations 
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490 1 |a Edinburgh studies in modern Arabic literature 
504 |a Includes bibliographical references (pages 203-224) and index. 
505 0 |a Introduction: writing Arab selfhood: from Taha Hysayn to blogging -- Autobiography and nation-building: constructing personal identity in the postcolonial world -- Writing selves on bodies -- Mapping autobiographical subjectivity in the age of multiculturalism -- Visions of self: filming autobiographical subjectivity -- What does my avatar say about me? Autobiographical cyber-writing and postmodern identity -- Conclusion: Arab autobiography in the twenty-first century. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed February 19, 2015). 
520 |a This original exploration of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-projection and blogging. Valerie Anishchenkova argues that the Arabic autobiographical genre has evolved into a mobile, unrestricted category arming authors with narrative tools to articulate their selfhood. Reading works from Arab nations such as Egypt, Iraq, Morocco, Syria and Lebanon, Anishchenkova connects the century's rapid political and ideological developments to increasing autobiographical experimentation in Arabic works. The immense scope of her study also forces consideration of film and online forms of self-representation and builds a new theoretical framework for these modes of autobiographical cultural production. Key Features. Investigates how diverse autobiographical subjectivities have evolved from the previous notions of uniform subjectivity Introduces novel autobiographical sub-genres such as autobiographical film and blogging Theorises the fluid and ever-expanding Arab autobiographical discourse 
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650 0 |a Arabic literature  |x History and criticism. 
650 0 |a Autobiography. 
650 0 |a Autobiographical memory  |z Arab countries. 
650 0 |a Self  |z Arab countries. 
650 6 |a Littérature arabe  |x Histoire et critique. 
650 6 |a Autobiographie. 
650 6 |a Mémoire épisodique  |z États arabes. 
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650 7 |a Autobiography.  |2 fast  |0 (OCoLC)fst00822597 
650 7 |a Self.  |2 fast  |0 (OCoLC)fst01111441 
651 7 |a Arab countries.  |2 fast  |0 (OCoLC)fst01240128 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Anishchenkova, Valerie.  |t Autobiographical identities in contemporary Arab culture.  |d Edinburgh : Edinburgh University Press, [2014]  |z 9780748643400  |w (DLC) 2013497559  |w (OCoLC)880193932 
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