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|a UAMI
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|a Anishchenkova, Valerie,
|e author.
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|a Autobiographical identities in contemporary Arab culture /
|c Valerie Anishchenkova.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2014]
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|c ©2014
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|a 1 online resource (x, 226 pages) :
|b illustrations
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|a text
|b txt
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|a Edinburgh studies in modern Arabic literature
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|a Includes bibliographical references (pages 203-224) and index.
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|a Introduction: writing Arab selfhood: from Taha Hysayn to blogging -- Autobiography and nation-building: constructing personal identity in the postcolonial world -- Writing selves on bodies -- Mapping autobiographical subjectivity in the age of multiculturalism -- Visions of self: filming autobiographical subjectivity -- What does my avatar say about me? Autobiographical cyber-writing and postmodern identity -- Conclusion: Arab autobiography in the twenty-first century.
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|a Online resource; title from PDF title page (EBSCO, viewed February 19, 2015).
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|a This original exploration of Arab autobiographical discourse investigates various modes of cultural identity which have emerged in Arab societies in the last 40 years. During this period, autobiographical texts moved away from exemplary life narratives and toward more unorthodox techniques such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-projection and blogging. Valerie Anishchenkova argues that the Arabic autobiographical genre has evolved into a mobile, unrestricted category arming authors with narrative tools to articulate their selfhood. Reading works from Arab nations such as Egypt, Iraq, Morocco, Syria and Lebanon, Anishchenkova connects the century's rapid political and ideological developments to increasing autobiographical experimentation in Arabic works. The immense scope of her study also forces consideration of film and online forms of self-representation and builds a new theoretical framework for these modes of autobiographical cultural production. Key Features. Investigates how diverse autobiographical subjectivities have evolved from the previous notions of uniform subjectivity Introduces novel autobiographical sub-genres such as autobiographical film and blogging Theorises the fluid and ever-expanding Arab autobiographical discourse
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|a English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Arabic literature
|x History and criticism.
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|a Autobiography.
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650 |
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|a Autobiographical memory
|z Arab countries.
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|a Self
|z Arab countries.
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|a Littérature arabe
|x Histoire et critique.
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650 |
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|a Autobiographie.
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650 |
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|a Mémoire épisodique
|z États arabes.
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650 |
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|a Moi (Psychologie)
|z États arabes.
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650 |
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|a autobiography (genre)
|2 aat
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|a LITERARY CRITICISM
|x African.
|2 bisacsh
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|a RELIGION
|x Islam
|x General.
|2 bisacsh
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|a Arabic literature.
|2 fast
|0 (OCoLC)fst00812478
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650 |
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|a Autobiographical memory.
|2 fast
|0 (OCoLC)fst00822589
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650 |
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|a Autobiography.
|2 fast
|0 (OCoLC)fst00822597
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650 |
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|a Self.
|2 fast
|0 (OCoLC)fst01111441
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|a Arab countries.
|2 fast
|0 (OCoLC)fst01240128
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
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|i Print version:
|a Anishchenkova, Valerie.
|t Autobiographical identities in contemporary Arab culture.
|d Edinburgh : Edinburgh University Press, [2014]
|z 9780748643400
|w (DLC) 2013497559
|w (OCoLC)880193932
|
830 |
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|a Edinburgh studies in modern Arabic literature.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt14brxhk
|z Texto completo
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