Cargando…

Les contemplations of Victor Hugo : an allegory of the creative process.

Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines thi...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nash, Suzanne
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton University Press, 2015.
Colección:Princeton Legacy Library
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 a 4500
001 JSTOR_ocn903318308
003 OCoLC
005 20231005004200.0
006 m o d
007 cr |n|||||||||
008 150213s2015 xx o 000 0 eng d
040 |a IDEBK  |b eng  |e pn  |c IDEBK  |d OCLCQ  |d JSTOR  |d OCLCF  |d N$T  |d YDXCP  |d DEBSZ  |d EBLCP  |d OCLCQ  |d AGLDB  |d ICA  |d OCLCQ  |d IOG  |d DEGRU  |d DEBBG  |d D6H  |d STF  |d OCLCQ  |d VTS  |d EZ9  |d LVT  |d LEAUB  |d DKC  |d OCLCQ  |d AJS  |d QGK  |d OCLCO  |d WAU  |d OCLCQ 
019 |a 979750569  |a 992913966 
020 |a 132288370X  |q (electronic bk.) 
020 |a 9781322883700  |q (electronic bk.) 
020 |a 9781400870509  |q (electronic bk.) 
020 |a 140087050X  |q (electronic bk.) 
024 7 |a 10.1515/9781400870509  |2 doi 
029 1 |a AU@  |b 000056941551 
029 1 |a DEBBG  |b BV043014424 
029 1 |a DEBSZ  |b 447063014 
029 1 |a DEBSZ  |b 484738704 
029 1 |a GBVCP  |b 1003803202 
029 1 |a GBVCP  |b 834646250 
035 |a (OCoLC)903318308  |z (OCoLC)979750569  |z (OCoLC)992913966 
037 |a 719652  |b MIL 
037 |a 22573/ctt13gn499  |b JSTOR 
050 4 |a PQ2285.C83 
072 7 |a LIT004150  |2 bisacsh 
072 7 |a LIT  |x 000000  |2 bisacsh 
072 7 |a TRV  |x 026090  |2 bisacsh 
082 0 4 |a 800 
049 |a UAMI 
100 1 |a Nash, Suzanne. 
245 1 4 |a Les contemplations of Victor Hugo :  |b an allegory of the creative process. 
260 |b Princeton University Press,  |c 2015. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file 
347 |b PDF 
490 0 |a Princeton Legacy Library 
588 0 |a Print version record. 
505 0 0 |t Frontmatter --  |t Preface --  |t Contents --  |t Introduction --  |t I. The Allegorical Nature and Context of Hugo's Work --  |t II. The Structure of Hugo's Allegory --  |t III. Leopoldine--Mediating Angel --  |t IV. Aurore --  |t V. L'Ame en fleur --  |t VI. Les Luttes et les reves --  |t VII. Pauca meae --  |t VIII. En marche --  |t IX. Au bord de I'infini --  |t X.A celle qui est restee en France --  |t Conclusion --  |t A Selected Bibliography --  |t Index. 
520 |a Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines this contradiction, and she proposes here a new approach to Les Contemplations that reveals how it may be read as a unified allegory of Hugo's understanding of the creative process. The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works. The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Léopoldine as sacrificial muse and figure for poetic language, is traced through the six books. The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
600 1 0 |a Hugo, Victor,  |d 1802-1885.  |t Contemplations. 
600 1 1 |a Hugo, Victor,  |d 1802-1885.  |t Contemplations. 
630 0 7 |a Contemplations (Hugo, Victor)  |2 fast  |0 (OCoLC)fst01360867 
650 7 |a LITERARY CRITICISM  |x European  |x French.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 7 |a TRAVEL  |x Special Interest  |x Literary.  |2 bisacsh 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt13x0zkw  |z Texto completo 
936 |a BATCHLOAD 
938 |a De Gruyter  |b DEGR  |n 9781400870509 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL3031362 
938 |a EBSCOhost  |b EBSC  |n 946927 
938 |a ProQuest MyiLibrary Digital eBook Collection  |b IDEB  |n cis30591431 
938 |a YBP Library Services  |b YANK  |n 12296187 
994 |a 92  |b IZTAP