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|a UAMI
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|a Objects and imagination :
|b perspectives on materialization and meaning /
|c edited by Øivind Fuglerud and Leon Wainwright.
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|a New York :
|b Berghahn Books,
|c 2015.
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|a 1 online resource
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|a text
|b txt
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|a online resource
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|a Material mediations : People and things in a world of movement ;
|v . 3
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Intro -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I -- Museums -- Chapter 1 -- Contemporary Iroquois Art between Ethnographic Museum, Art Gallery and Global Market Place: Reflections on the Politics of Identity and Representation -- Chapter 2 -- Disconnecting Relations: Exhibitions and Objects as Resistance -- Chapter 3 -- Materializing Islam and the Imaginary of Sacred Space -- Part II -- Presence -- Chapter 4 -- Visible While Away: Migration, Personhood and the Movement of Money Amongst the Mbuke of Papua New Guinea -- Chapter 5 -- Being There while Being Here: Long-Distance Aesthetics and Sensations in Tamil National Rituals -- Chapter 6 -- Food Presentations Moving Overseas: Ritual Aesthetics and Everyday Sociality in Tonga and among Tongan Migrants -- Chapter 7 -- Imaginations at War: The Ephemeral and the Fullness of Life in Southwest China -- Chapter 8 -- How Pictures Matter: Religious Objects and the Imagination in Ghana -- Part III -- Art -- Chapter 9 -- Art as Empathy: Imaging Transfers of Meaning and Emotion in Urban Aboriginal Australia -- Chapter 10 -- Transvisionary Imaginations: Artistic Subjectivity and Creativity in Tamil Nadu -- Chapter 11 -- An Indian Cocktail of Value/s and Desire: On the Artification of Whisky and Fashion -- Contributors -- Index.
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|a Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the "material turn" in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world
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|a JSTOR
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|a JSTOR
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650 |
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|a Material culture
|x Social aspects.
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650 |
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|a Creative ability.
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650 |
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|a Imagination.
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|a Creativity
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650 |
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|a Culture matérielle
|x Aspect social.
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650 |
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|a Créativité.
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650 |
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|a creativity.
|2 aat
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650 |
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a ART
|x Criticism & Theory.
|2 bisacsh
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|a Creative ability
|2 fast
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|a Imagination
|2 fast
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|a Material culture
|x Social aspects
|2 fast
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700 |
1 |
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|a Fuglerud, Øivind.
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700 |
1 |
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|a Wainwright, Leon.
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776 |
0 |
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|i Print version:
|t Objects and imagination : perspectives on materialization and meaning.
|d New York, [New York] ; Oxford, [England] : berghahn, ©2015
|h x, 251 pages
|k Material mediations ; Volume 3
|z 9781782385660
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830 |
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0 |
|a Material mediations : People and things in a world of movement ;
|v . 3.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qd1d6
|z Texto completo
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