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Sounding race in rap songs /

"As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music all...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kajikawa, Loren, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2015]
Edición:First edition.
Colección:ACLS Humanities E-Book.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kajikawa, Loren,  |d 1975-  |e author. 
245 1 0 |a Sounding race in rap songs /  |c Loren Kajikawa. 
250 |a First edition. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2015] 
264 4 |c ©2015 
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380 |a Discography 
380 |a Filmography 
490 1 |a ACLS Humanites E-book 
504 |a Includes bibliographical references, discography, filmography, and index. 
505 0 |a "Rapper's delight" : from genre-less to new genre -- "Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century. 
520 |a "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher. 
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650 0 |a Rap (Music)  |x Social aspects  |z United States. 
650 0 |a Music and race. 
650 0 |a Race awareness  |z United States. 
650 0 |a Racism in popular culture  |z United States. 
650 6 |a Musique et race. 
650 6 |a Conscience de race  |z États-Unis. 
650 6 |a Racisme dans la culture populaire  |z États-Unis. 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Rap & Hip Hop.  |2 bisacsh 
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650 7 |a Race awareness.  |2 fast  |0 (OCoLC)fst01086455 
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650 7 |a Rap (Music)  |x Social aspects.  |2 fast  |0 (OCoLC)fst01089957 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
650 7 |a Rap  |2 gnd 
650 7 |a Rasse  |2 gnd 
651 7 |a USA  |2 gnd 
776 0 8 |i Print version:  |a Kajikawa, Loren, 1975-  |t Sounding race in rap songs.  |b First edition  |z 9780520283985  |w (DLC) 2014044822  |w (OCoLC)898029282 
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