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|a 1091449935
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|a 9783839422021
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|a 3839422027
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|a 9783837622027
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|a (OCoLC)902420530
|z (OCoLC)1091449935
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|a 22573/ctv36z5wxw
|b JSTOR
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|a PN56.M54
|b M384 2014
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|a LIT
|x 004120
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|a EC 2440
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|a UAMI
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|a Mieszkowski, Sylvia,
|e author.
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|a Resonant Alterities :
|b Sound, Desire and Anxiety in Non-Realist Fiction /
|c Sylvia Mieszkowski.
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|a Bielefeld :
|b Transcript,
|c [2014]
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|a 1 online resource (402 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Culture and media studies
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|a Print version record.
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|a Includes bibliographical references (pages 369-402).
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|a Cover Resonant Alterities; Contents; Acknowledgements; Introduction; Sound Studies -- An Interdisciplinary Field; Literary Sound Studies; Resonant Alterities; Haunted by Sound:Vernon Lee, "A Wicked Voice"; Introduction; Resonant Texts; Literary Soundscapes; Implied Sound; Discursive Echo Chamber; Idolatrous Sounds; Scandalously Effeminate -- Meltingly Foreign; Sedimented Anxieties; Desiring the Vocal Phallus; Sound is Power:Algernon Blackwood, The Human Chord; Introduction; Fin de Siècle Occultism; On Vibration: Sound in Occultism; On Vibration: Sound in Occult Fiction.
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|a Occultist Science -- Scientific OccultismDissolved Division; First Identity Experiment: Voice; Second Identity Experiment: Pattern; Partial Evocation; Names as Words of Power; First Scene of Uttering: the Dangers of Calling; Vocal Technique Between Occultism & Science; Second Scene of Uttering: the Bliss of Being Called; The Name of God; Noise, Silence and Oedipus: J.G. Ballard, "The Sound Sweep"; Introduction; Sonic Waste & Sonic Weapons; Noise, the Avant-Garde & Ultrasonic Music; Noise; Technology; Playing With Tradition; Ultrasonic Music & Muzak; Ultrasonic Music & Silence.
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|a Cruel Mothers, Cruel CrowdsHate Speech; The Voice as Ambivalent Object; Auditory Hallucination & Vocal Jouissance; Air To Sounds, Sounds To Words: Don DeLillo, The Body Artist; Introduction; First Failure of comNmuOnicIatiSonE: What?; Second Failure of comNmuOnicIatiSonE: The Noise; Noise -- Voice -- Chant; The Visual & The Aural -- Legacies of Modernism; Second Person Narration & Self-Awareness; Voice -- Gender -- Loss; Sonic Symptom; Aural Fort/Da; Gender -- De-Gendering -- Empowerment; Conclusion; Bibliography.
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|a "Resonant Alterities" bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually stru.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Literature, Modern
|y 19th century
|x History and criticism.
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|a Literature, Modern
|y 20th century
|x History and criticism.
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|a Modernism (Literature)
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|a Littérature
|y 19e siècle
|x Histoire et critique.
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|a Littérature
|y 20e siècle
|x Histoire et critique.
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|a Modernisme (Littérature)
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|a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Literature, Modern
|2 fast
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|a Modernism (Literature)
|2 fast
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|a Geräusch
|g Motiv
|2 gnd
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|a Klang
|g Motiv
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|a 1800-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Mieszkowski, Sylvia.
|t Resonant Alterities : Sound, Desire and Anxiety in Non-Realist Fiction.
|d Bielefeld : transcript, ©2014
|z 9783837622027
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830 |
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|a Kultur- und Medientheorie.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c3bw
|z Texto completo
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