ReVisioning : Critical Methods of Seeing Christianity in the History of Art /

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Romaine, James (Editor ), Stratford, Linda (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, United Kingdom : The Lutterworth Press, 2014.
Temas:
Art > History > Methodology.
Christian art and symbolism > History.
Christianity and art.
Art > Histoire > Méthodologie.
Christianisme et art.
ART > Subjects & Themes > General.
ART > Subjects & Themes > Religious.
Art > Methodology.
Christian art and symbolism.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Front cover; Half title; Title page; Copyright; Contents; Color Plates; Illustrations; Acknowledgments; Expanding the Discourse on Christianity in the History of Art: JAMES ROMAINE; Methodological Issues from the Fields of Art History, Visual Culture, and Theology: LINDA STRATFORD ; PART I. Methodological Issues of Iconography in Early Christian and Medieval Art ; Iconographic Structure: Recognizing the Resurrected Jesus on the Vatican Jonah Sarcophagus: LINDA MØSKELAND FUCHS; Icon as Theology: The Byzantine Virgin of Predestination: MATTHEW J. MILLINER.
  • Marginalia or Eschatological Iconography?: Providence and Plenitude in the Imagery of Abundance at Orvieto Cathedral: RACHEL HOSTETTER SMITHIconography of Sign: A Semiotic Reading of the Arma Christi: HEATHER MADAR; Hybridizing Iconography: The Miraculous Mass of St. Gregory Featherwork from the Colegio de San José de los Naturales in Mexico City: ELENA FITZPATRICK SIFFORD; PART II. Methodological Issues of Reading Theology in Renaissance and Baroque Art ; Reading Hermeneutic Space: Pictorial and Spiritual Transformation in the Brancacci Chapel: CHLOË REDDAWAY; Color Plates.
  • Reading Theological Place: Joachim Patinir's Saint Jerome in the Desert as Devotional Pilgrimage: MATTHEW SWEET VANDERPOELReading Theological Context: A Marian Interpretation of Michelangelo's Roman Pietà: ELIZABETH LEV; Reading Visual Rhetoric: Strategies of Piety and Propaganda in Lucas Cranach the Elder's Passional Christi und Antichristi: BOBBI DYKEMA; Reading Devotion: Counter-Reformation Iconography and Meaning in Gregorio Fernández's Cristo yacente of El Pardo: ILENIA COLÓN MENDOZA.
  • PART III. Methodological Issues of Historical-Religious Context in Nineteenth-, Twentieth-, and Twenty-first Century Art Historicism and Scenes of "The Passion" in Nineteenth-Century French Romantic Painting: JOYCE C. POLISTENA; Consuming Christ: Henry Ossawa Tanner's Biblical Paintings and Nineteenth-Century American Commerce: KRISTIN A. SCHWAIN; Figuring Redemption: Christianity and Modernity in Max Beckmann's Resurrections: AMY K. HAMLIN; Embodiment as Sacrament: Francis Bacon's Postwar Horror: RINA ARYA.
  • Media, Mimesis, and Sacrifice: Paul Pfeiffer's Contemporary Christological Lens: ISABELLE LORING WALLACEContributors; Back cover.

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