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Musical worlds in Yogyakarta /
This is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parli...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden, the Netherlands :
KITLV Press,
2012
|
| Colección: | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ;
281. Southeast Asia mediated ; v. 2. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9004253491 |q (electronic bk.) | ||
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| 037 | |a 22573/ctvbpfk08 |b JSTOR | ||
| 043 | |a a-io--- | ||
| 050 | 4 | |a ML3917.I5 |b R53 2012 | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 072 | 7 | |a SOC |x 008000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780.9598/27 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Richter, Max M., |e author. | |
| 245 | 1 | 0 | |a Musical worlds in Yogyakarta / |c Max M. Richter. |
| 264 | 1 | |a Leiden, the Netherlands : |b KITLV Press, |c 2012 | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (xiii, 210 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; |v 281 | |
| 490 | 1 | |a Southeast Asia mediated ; |v [volume 2] | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Introduction : approaching musical life in early post-Soeharto Yogyakarta. |t Musical worlds and their genres ; |t Theory and concepts ; |t Research methods ; |t Overview -- |g Part 1 : |t Music and the street. |t Background ; |t Cultural capital and its spatial variants ; |t In-group and inter-group social capital ; |t Sosrowijayan and its street workers ; |t Roadsides and alleyways ; |t Becak drivers ; |t The Sosro Bahu stand ; |t Street guides ; |t Sriwisata and the Sosro Boys ; |t Musical forms and spaces ; |t Mobile pengamen ; |t Street-worker tongkrongan ; |t Transweb ; |t Opposite Resto ; |t Music groups ; |t The Sekar Wuyung group ; |t The Shower street guide band ; |t Shower at Resto and the Sosro Bahu after-party ; |t Conclusion -- |g Part 2 : |t Habitus and physicality. |t Background ; |t Habitus, gender, and socialisation ; |t Three forms of musical physicalisation ; |t Detachment engagement ; |t Kampung transitions ; |t From hotel gamelan to kafe pop ; |t Other worlds and sexualisation ; |t Kampung jatilan and Kridosono metal/electronic ; |t Campursari/dangdut and jalanan/rock in the kampung ; |t Dangdut shows and pub rock ; |t Conclusion -- |g Part 3 : |t State power and musical cosmopolitanism. |t Background ; |t The bureaucratic field ; |t Grounded cosmopolitanism ; |t Regional parliament ; |t Awards night campursari ; |t Awakening Day rock and reggae ; |t Independence Day wayang kulit ; |t Armed forces ; |t Campursari at an army battalion ; |t Music jalanan at the Air Force Academy ; |t Universities ; |t The State Institute of Islamic Studies ; |t Gadjah Mada University ; |t Sunday mornings on the boulevard ; |t Hangouts, capital conversions, activities units ; |t Large-scale musical performance ; |t Conclusion -- |t Conclusion : Campursari and jalanan at the sultan's palace. |
| 520 | |a This is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parliament, its military institutions, universities, and the Sultan's palace. It focuses on the musical tastes and practices of street workers, artists, students, and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari ("mixed essences") and jalanan ("of the street"). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu's theories on class, gender, and nation with the author's alternative perspectives of inter-group social capital, physicality, and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturally diverse inner-city settings | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 650 | 0 | |a Music |x Social aspects |z Indonesia |z Yogyakarta. | |
| 650 | 0 | |a Music |z Indonesia |z Yogyakarta |x History and criticism. | |
| 650 | 6 | |a Musique |x Aspect social |z Indonésie |z Jogjakarta. | |
| 650 | 6 | |a Musique |z Indonésie |z Jogjakarta |x Histoire et critique. | |
| 650 | 7 | |a Society and social sciences. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x General. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 651 | 7 | |a Indonesia |z Yogyakarta |2 fast | |
| 653 | |a Indonesia | ||
| 653 | |a music | ||
| 653 | |a Yogyakarta | ||
| 653 | |a urban life | ||
| 653 | |a performing arts | ||
| 653 | |a sociology | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9789004263710 |z 9004263713 |w (DLC) 2013049490 |
| 830 | 0 | |a Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; |v 281. | |
| 830 | 0 | |a Southeast Asia mediated ; |v v. 2. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1163/j.ctvbqs6n1 |z Texto completo |
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| 994 | |a 92 |b IZTAP | ||