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The verbal icon : studies in the meaning of poetry /

The sixteen essays in this volume form a series of related focuses upon various levels and areas of literary criticism. W.K. Wimsatt's assumption is that practice and theory of both the past and the present are integrally related-that there is a continuity in the materials of criticism-that a p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wimsatt, William K. (William Kurtz), 1907-1975 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, [1989], ©1982.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The verbal icon :  |b studies in the meaning of poetry /  |c by W.K. Wimsatt, Jr., and two preliminary essays written in collaboration with Monroe C. Beardsley. 
260 |a Lexington :  |b The University Press of Kentucky,  |c [1989], ©1982. 
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504 |a Includes bibliographical references and index. 
505 0 |a Cover; Half-title; Title; Copyright; Dedication; Acknowledgment; Contents; Introduction; 1; The Intentional Fallacy; The Affective Fallacy; The Chicago Critics: The Fallacy of the Neoclassic Species; 2; The Concrete Universal; Poetry and Morals: A Relation Reargued; The Structure of Romantic Nature Imagery; Symbol and Metaphor; 3; The Substantive Level; One Relation of Rhyme to Reason; Rhetoric and Poems: Alexander Pope; When Is Variation ""Elegant""?; Verbal Style: Logical and Counterlogical; 4; The Domain of Criticism; Explication as Criticism. 
505 8 |a History and Criticism: A Problematic RelationshipPoetry and Christian Thinking; Notes and References; Index. 
520 |a The sixteen essays in this volume form a series of related focuses upon various levels and areas of literary criticism. W.K. Wimsatt's assumption is that practice and theory of both the past and the present are integrally related-that there is a continuity in the materials of criticism-that a person who studies poetry today has a critical concern, not merely a historical interest, in what Aristotle or Plato said about poetry. He regards the great perennial problems of criticism as arising not by the whim of a tolerantly pluralist choice, but from the nature of language and reality. With profoun. 
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