Romanticism and women poets : opening the doors of reception /

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One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historica...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Linkin, Harriet Kramer, 1956-, Behrendt, Stephen C., 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, 2015.
Temas:
1800-1899
English poetry > 19th century > History and criticism.
English poetry > Women authors > History and criticism.
Feminism and literature > Great Britain > History > 19th century.
Women and literature > Great Britain > History > 19th century.
Feminist poetry, English > History and criticism.
Romanticism > Great Britain.
Canon (Literature)
Poésie anglaise > 19e siècle > Histoire et critique.
Femmes et littérature > Grande-Bretagne > Histoire > 19e siècle.
Romantisme > Grande-Bretagne.
Chefs-d'œuvre (Littérature)
POETRY > English, Irish, Scottish, Welsh.
POETRY > European > English, Irish, Scottish, Welsh.
English poetry.
English poetry > Women authors.
Feminism and literature.
Feminist poetry, English.
Romanticism.
Women and literature.
Great Britain.
Criticism, interpretation, etc.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Recovering Romanticism and Women Poets; Prologue ; Endurance and Forgetting: What the Evidence Suggests; Part One: Questioning Reception; The Gap That Is Not a Gap: British Poetry by Women, 1802-1812; The Subject of Violence: Mary Lamb, Femme Fatale; ""Tales of Truth?"": Amelia Opie's Antislavery Poetics; Part Two: Anticipating Reception; ""Dost thou not know my voice?"": Charlotte Smith and the Lyric's Audience.
  • ""Be Good!"": Acting, Reader's Theater, and Oratory in Frances Anne Kemble's WritingRecuperating Romanticism in Mary Tighe's Psyche; Part Three: Reconstructing Reception; A ""High-Minded Christian Lady"": The Posthumous Reception of Anna Letitia Barbauld; ""Burst Are the Prison Bars"": Caroline Bowles Southey and the Vicissitudes of Poetic Reputation; Felicia Hemans and the Revolving Doors of Reception; Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition; Works Cited; Contributors; Index.

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