|
|
|
|
LEADER |
00000cam a2200000Ia 4500 |
001 |
JSTOR_ocn900344589 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
150117s2015 kyu o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d N$T
|d OCLCQ
|d N$T
|d OCLCF
|d JSTOR
|d OCLCQ
|d JBG
|d OCLCQ
|d IOG
|d MERUC
|d EZ9
|d AGLDB
|d IGB
|d TXC
|d AUW
|d BTN
|d MHW
|d INTCL
|d SNK
|d OCLCQ
|d G3B
|d LVT
|d S8I
|d S8J
|d STF
|d D6H
|d OCLCO
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9780813158990
|q (electronic bk.)
|
020 |
|
|
|a 0813158990
|q (electronic bk.)
|
029 |
1 |
|
|a AU@
|b 000056061729
|
029 |
1 |
|
|a GBVCP
|b 1003797164
|
035 |
|
|
|a (OCoLC)900344589
|
037 |
|
|
|a 22573/ctt129dvx5
|b JSTOR
|
043 |
|
|
|a n-us---
|
050 |
|
4 |
|a PN1995 .H213 2015
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a PER004030
|2 bisacsh
|
082 |
0 |
4 |
|a 791.43/01/50973
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Haberski, Raymond J.,
|d 1968-
|
245 |
1 |
0 |
|a It's only a movie! :
|b films and critics in American culture /
|c Raymond J. Haberski.
|
260 |
|
|
|a Lexington :
|b The University Press of Kentucky,
|c ©2015.
|
300 |
|
|
|a 1 online resource (262 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|2 rda
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; 1 Amusement or Art?; 2 Menace or Art?; 3 Forging a Mainstream Movie Aesthetic; 4 Dreiser versus Hollywood; 5 Movies into Art; 6 A Certain Tendency in Film Criticism; 7 Andrew Sarris, Pauline Kael, and the Duelfor the Soul of Criticism; 8 The First New York Film Festival and the Heroic Age of Moviegoing; 9 The Film Generation Goes to School; 10 Whither Criticism?; Notes; Bibliography; Index.
|
520 |
|
|
|a Once derided as senseless entertainment, movies have gradually assumed a place among the arts. Raymond Haberski's provocative and insightful book traces the trajectory of this evolution throughout the twentieth century, from nickelodeon amusements to the age of the financial blockbuster. Haberski begins by looking at the barriers to film's acceptance as an art form, including the Chicago Motion Picture Commission hearings of 1918--1920, one of the most revealing confrontations over the use of censorship in the motion picture industry. He then examines how movies overcame the stigma attached to.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Culture in motion pictures.
|
650 |
|
0 |
|a Film criticism
|z United States.
|
650 |
|
0 |
|a Motion pictures
|x Social aspects
|z United States.
|
650 |
|
6 |
|a Culture au cinéma.
|
650 |
|
6 |
|a Critique cinématographique
|z États-Unis.
|
650 |
|
6 |
|a Cinéma
|x Aspect social
|z États-Unis.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Culture in motion pictures
|2 fast
|
650 |
|
7 |
|a Film criticism
|2 fast
|
650 |
|
7 |
|a Motion pictures
|x Social aspects
|2 fast
|
651 |
|
7 |
|a United States
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Haberski, Raymond J., Jr.
|t It's Only a Movie! : Films and Critics in American Culture.
|d Lexington : The University Press of Kentucky, ©2015
|z 9780813121932
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt130jsbv
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL1915210
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 938297
|
994 |
|
|
|a 92
|b IZTAP
|