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Lovecraft : Disturbing the Universe.

Howard Phillips Lovecraft (1890--1937) has been described variously as the successor to Edgar Allan Poe, a master of the Gothic horror tale, and one of the father of modern supernatural fantasy fiction. Published originally in pulp magazines, his works have grown in popularity since his death, so th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Burleson, Donald R.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, 1990.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Burleson, Donald R. 
245 1 0 |a Lovecraft :  |b Disturbing the Universe. 
260 |a Lexington :  |b The University Press of Kentucky,  |c 1990. 
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504 |a Includes bibliographical references and index. 
505 0 |a Cover; Title; Copyright; Contents; Preface; 1. Pre-Iude: The Manner of Reading; 2. The Statement of Randolph Carter -- 3. The Terrible Old Man -- 4. The Cats of Ulthar -- 5. The Nameless City -- 6. The Outsider -- 7. The Music of Erich Zann -- 8. The Call of Cthulhu -- 9. Pickman's Model -- 10. The Strange High House in the Mist -- 11. The Colour Out of Space -- 12. The Dunwich Horror -- 13. The Shadow over Innsmouth -- 14. The Haunter of the Dark -- 15. Deconstructing Lovecraft: An Open Conclusion -- Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O. 
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520 |a Howard Phillips Lovecraft (1890--1937) has been described variously as the successor to Edgar Allan Poe, a master of the Gothic horror tale, and one of the father of modern supernatural fantasy fiction. Published originally in pulp magazines, his works have grown in popularity since his death, so that more than thirty editions are currently in print. Yet only recently has Lovecraft received serious attention from literary critics. And until now no one has examined his work from a post-structuralist perspective. Donald Burleson fills that void, for the first time in an extended study bringing th. 
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600 1 0 |a Lovecraft, H. P.  |q (Howard Phillips),  |d 1890-1937  |x Criticism and interpretation. 
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