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Flood of images : media, memory, and Hurricane Katrina /
<P>Anyone who was not in New Orleans during Hurricane Katrina and the subsequent flooding of the city experienced the disaster as a media event, a flood of images pouring across television and computer screens. The twenty-four-hour news cycle created a surplus of representation that overwhelme...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Documento de Gobierno Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2015.
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| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cook, Bernie, |d 1968- |e author. | |
| 245 | 1 | 0 | |a Flood of images : |b media, memory, and Hurricane Katrina / |c by Bernie Cook. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xxiii, 404 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 371-379) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a pt. One TELEVISION NEWS -- ch. One There Is No Wide Shot -- Television News and Collective Memory -- ch. Two Weather Citizens -- Sunday, August 28 -- ch. Three These Are the First Pictures from the Air -- Monday, August 29 -- ch. Four The Sort of Disaster Humans Cause -- Tuesday, August 30 -- ch. Five The Walking Dead -- Wednesday, August 31 -- ch. Six Over My Drowned Body -- Thursday, September 1 -- ch. Seven Not Sure What Is the Truth or Rumor Anymore -- Friday, September 2 -- ch. Eight A Big Corner Turned -- Saturday, September 3 -- ch. Nine A Violent Day -- Sunday, September 4 -- ch. Ten 99 Percent of It Is Bullshit -- The Weeks After -- pt. Two DOCUMENTARY -- ch. Eleven Familiar from Television -- Documentary as Collected Memory -- ch. Twelve A Requiem in Four Acts -- When the Levees Broke -- ch. Thirteen Ain't Nobody Got What I Got -- Trouble the Water -- ch. Fourteen How Can Our Past Help Us to Survive This Time? -- Faubourg Treme. | |
| 505 | 8 | |a Ch. Fifteen We Were Not on the Map -- A Village Called Versailles -- ch. Sixteen Our Mayor -- Race -- ch. Seventeen Re-Occupying New Orleans -- Land of Opportunity -- ch. Eighteen Disappeared People -- Law & Disorder -- pt. Three FICTION -- ch. Nineteen My Fiction Seems a Bit Inconsequential to Me Now -- Treme's Truth Claim -- ch. Twenty In the David Simon Business -- Treme's Mode of Production -- ch. Twenty-One The Continuance of Culture -- ch. Twenty-Two All These Trucks Got Bodies? -- Dramatizing Injustice. | |
| 546 | |a English. | ||
| 520 | |a <P>Anyone who was not in New Orleans during Hurricane Katrina and the subsequent flooding of the city experienced the disaster as a media event, a flood of images pouring across television and computer screens. The twenty-four-hour news cycle created a surplus of representation that overwhelmed viewers and complicated understandings of the storm, the flood, and the aftermath. As time passed, documentary and fictional filmmakers took up the challenge of explaining what had happened in New Orleans, reaching beyond news reports to portray the lived experiences of survivors of Katrina. But while these narratives presented alternative understandings and more opportunities for empathy than TV news, Katrina remained a mediated experience.</p><p>In <i>Flood of Images</i>, Bernie Cook offers the most in-depth, wide-ranging, and carefully argued analysis of the mediation and meanings of Katrina. He engages in innovative, close, and comparative visual readings of news coverage on CNN, Fox News, and NBC; documentaries including Spike Lee?s <i>When the Levees Broke</i> and <i>If God Is Willing and Da Creek Don?t Rise</i>, Tia Lessin and Carl Deal?s <i>Trouble the Water</i>, and Dawn Logsdon and Lolis Elie?s <i>Faubourg Treme</i>; and the HBO drama <i>Treme</i>. Cook examines the production practices that shaped Katrina-as-media-event, exploring how those choices structured the possible memories and meanings of Katrina and how the media?s memory-making has been contested. In <i>Flood of Images</i>, Cook intervenes in the ongoing process of remembering and understanding Katrina.</p> | ||
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| 650 | 0 | |a Hurricane Katrina, 2005 |x Press coverage. | |
| 650 | 0 | |a Mass media |x Objectivity |z United States. | |
| 650 | 0 | |a Hurricane Katrina, 2005 |x Social aspects. | |
| 651 | 0 | |a United States |x Social conditions |y 21st century. | |
| 650 | 0 | |a Mass media. | |
| 650 | 1 | 2 | |a Cyclonic Storms |
| 650 | 1 | 2 | |a Floods |
| 650 | 2 | 2 | |a Mass Media |
| 650 | 2 | 2 | |a Social Conditions |x history |
| 651 | 2 | |a Louisiana | |
| 650 | 6 | |a Ouragan Katrina, 2005 |x Couverture de presse. | |
| 650 | 6 | |a Médias |x Objectivité |z États-Unis. | |
| 651 | 6 | |a États-Unis |x Conditions sociales |y 21e siècle. | |
| 650 | 6 | |a Médias. | |
| 650 | 7 | |a mass media. |2 aat | |
| 650 | 7 | |a HISTORY |z United States |x State & Local |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Television / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Mass media. |2 fast |0 (OCoLC)fst01011219 | |
| 650 | 7 | |a Mass media |x Objectivity. |2 fast |0 (OCoLC)fst01011271 | |
| 650 | 7 | |a Press coverage. |2 fast |0 (OCoLC)fst01198921 | |
| 650 | 7 | |a Social aspects. |2 fast |0 (OCoLC)fst01354981 | |
| 650 | 7 | |a Social conditions. |2 fast |0 (OCoLC)fst01919811 | |
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| 776 | 0 | 8 | |i Print version: |a Cook, Bernie, 1968- |t Flood of images. |b First edition |z 9780292771345 |w (DLC) 2014026619 |w (OCoLC)889941205 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/771345 |z Texto completo |
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