Masques, mayings and music-dramas : Vaughan Williams and the early twentieth-century stage /
Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Cambridge :
Cambridge University Press,
2014
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Books to make a traveller of thee: pilgrims, vagabonds and the monodramas of Vaughan Williams
- A quarry for profitable working: staging the masques of Ben Jonson in London and Stratford-upon-Avon, 1903-1912
- The edens of Reginald Buckley: temples and tetralogies at Bayreuth, Stratford and Glastonbury
- 'One of the greatest composers' the world has ever seen': Vaughan Williams and the Purcell Revival
- 'What about an English ballet?' Edward Gordon Craig, music-theatre and Cupid and Psyche
- Alice Shortcake, Jenny Pluckpears and the Stratford-Upon-Avon connections of Sir John in Love
- Bringing in the May: Alice Gomme, Cecil Sharp and Ralph Vaughan Williams at the Crystal Palace
- Vaughan Williams, the Romany Ryes and the Cambridge ritualists