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Shine : the visual economy of light in African diasporic aesthetic practice /

In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Thompson, Krista A., 1972- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2015.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Shine :  |b the visual economy of light in African diasporic aesthetic practice /  |c Krista Thompson. 
264 1 |a Durham :  |b Duke University Press,  |c 2015. 
264 4 |c ©2015 
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505 0 |a "Keep it real": Street photography, public visibility, and Afro-modernity -- Video light: Dancehall and the aesthetics of spectacular un-visibility in Jamaica -- Shine, shimmer, and splendor: African diasporic aesthetics and the art of being seen in the Bahamas -- The sound of light: Reflections on art history in the visual culture of hip-hop. 
520 |a In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the. 
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