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The cinema of Ang Lee : the other side of the screen /
Through suggestive readings of gender and identity, this book explores the international appeal of an acclaimed contemporary director. The author has revised the book's introduction to reflect Ang Lee's new films and their global reception and adds to the text a consideration of new develo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Wallflower Press,
[2015]
|
| Edición: | Second edition. |
| Colección: | Directors' cuts.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dilley, Whitney Crothers. | |
| 245 | 1 | 4 | |a The cinema of Ang Lee : |b the other side of the screen / |c Whitney Crothers Dilley. |
| 250 | |a Second edition. | ||
| 264 | 1 | |a London ; |a New York : |b Wallflower Press, |c [2015] | |
| 264 | 4 | |c Ã2015 | |
| 300 | |a 1 online resource (231 pages) : |b illustrations | ||
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| 490 | 1 | |a Directors' cuts | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Ang Lee: a history -- Ang Lee as director: his position in Asian and world cinema -- Confucian values and cultural displacement in Pushing hands -- Transgressing boundaries of gender and culture in The wedding banquet -- Globalization and cultural identity in Eat drink man woman -- Opposition and resolution in sense and sensibility -- Fragmentary narratives/fragmented identities in The ice storm -- Race, gender, class, and social identity in Ride with the devil -- Wuxia narrative and transnational Chinese identity in Crouching tiger, hidden dragon -- The ultimate outsider: Hulk -- Transcending gender in Brokeback Mountain -- Eroticism and performance in Lust/Caution -- Memory, narrative, and transformation in Taking Woodstock -- Storytelling and truth in Life of Pi: a spiritual journey -- Conclusion: the dream of cinema. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Through suggestive readings of gender and identity, this book explores the international appeal of an acclaimed contemporary director. The author has revised the book's introduction to reflect Ang Lee's new films and their global reception and adds to the text a consideration of new developments in Chinese film, recent critiques of Brokeback Mountain (2005), and chapters on Lust/Caution (2007), Taking Woodstock (2009), and Life of Pi (2012). | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 600 | 1 | 0 | |a Lee, Ang, |d 1954- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Lee, Ang, |d 1954- |2 fast |0 (OCoLC)fst00347951 |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Dilley, Whitney Crothers. |t Cinema of Ang Lee. |b Second edition. |z 9780231167727 |z 0231167725 |w (DLC) 2014022600 |w (OCoLC)881721191 |
| 830 | 0 | |a Directors' cuts. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7312/dill16772 |z Texto completo |
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