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030820s2004 ohua ob 001 0 eng d |
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|z 2003018678
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|a P@U
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|d OCLCO
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|d UX1
|d JSTOR
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|d OCLCQ
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|a 1097159420
|a 1152006591
|a 1291254971
|a 1296388684
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|a 9780814273241
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|a 0814273246
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|z 0814209459
|q (hardcover ;
|q alk. paper)
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|z 9780814209455
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|z 9780814256183
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|a (OCoLC)899262164
|z (OCoLC)1097159420
|z (OCoLC)1152006591
|z (OCoLC)1291254971
|z (OCoLC)1296388684
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|a 22573/ctv176z52q
|b JSTOR
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|a e-uk---
|a n-us---
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|a PR830.P75
|b B87 2004
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|a LIT
|x 000000
|2 bisacsh
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|a LIT
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|a 823/.08309
|2 22
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|a UAMI
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|a Butte, George,
|d 1947-
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|a I know that you know that I know :
|b narrating subjects from Moll Flanders to Marnie /
|c George Butte.
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|a Columbus :
|b Ohio State University Press,
|c ©2004.
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|a 1 online resource (viii, 270 pages :) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The theory and interpretation of narrative series
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|a Includes bibliographical references (pages 253-262) and index.
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|a Print version record.
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|a Theory. Starting over: intersubjectivity and narrative -- Representing deep intersubjectivity: narrative practices. Case studies: deep intersubjectivity and genre. Comedy, film and film comedy -- Deep intersubjectivity and the subversion of comedy -- Deep intersubjectivity and masquerade.
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|a "In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on Western literature and culture. The author studies narrative practices in two ways: one pairing eighteenth- and nineteenth-century British novels (Moll Flanders and Great Expectations, for example), and the other studying genre practices - comedy, anti-comedy and masquerade - in written and film narrative (Jane Austen and His Girl Friday, for example, and Hitchcock's Cary Grant films)."--Jacket.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Intersubjectivity.
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|a Narration (Rhetoric)
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|a Motion pictures
|x History.
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|a Consciousness in literature.
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|a Intersubjectivity in literature.
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|a Psychological fiction, American
|x History and criticism.
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|a Psychological fiction, English
|x History and criticism.
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|a Roman psychologique anglais
|x Histoire et critique.
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|a Roman psychologique américain
|x Histoire et critique.
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|a Intersubjectivité dans la littérature.
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|a Conscience dans la littérature.
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|a Cinéma
|x Histoire.
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|a Narration.
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|a Intersubjectivité.
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|a LITERARY CRITICISM / General
|2 bisacsh
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|a Consciousness in literature.
|2 fast
|0 (OCoLC)fst00875457
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650 |
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|a Intersubjectivity.
|2 fast
|0 (OCoLC)fst00977556
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650 |
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7 |
|a Intersubjectivity in literature.
|2 fast
|0 (OCoLC)fst00977561
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650 |
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|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
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|a Narration (Rhetoric)
|2 fast
|0 (OCoLC)fst01032927
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650 |
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|a Psychological fiction, American.
|2 fast
|0 (OCoLC)fst01081348
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650 |
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|a Psychological fiction, English.
|2 fast
|0 (OCoLC)fst01081356
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|a Literatur
|2 gnd
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|a Bewusstsein
|g Motiv
|2 gnd
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|a Erzähltechnik
|2 gnd
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|a Film.
|2 swd
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|a Englisch.
|2 swd
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|a USA.
|2 swd
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Butte, George, 1947-
|t I know that you know that I know.
|d Columbus : Ohio State University Press, ©2004
|w (DLC) 2003018678
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830 |
|
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|a The theory and interpretation of narrative series.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv177tgdv
|z Texto completo
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|a Project MUSE
|b MUSE
|n muse34549
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|a YBP Library Services
|b YANK
|n 12228953
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|a 92
|b IZTAP
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