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I know that you know that I know : narrating subjects from Moll Flanders to Marnie /

"In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on We...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Butte, George, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbus : Ohio State University Press, ©2004.
Colección:The theory and interpretation of narrative series.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Butte, George,  |d 1947- 
245 1 0 |a I know that you know that I know :  |b narrating subjects from Moll Flanders to Marnie /  |c George Butte. 
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490 1 |a The theory and interpretation of narrative series 
504 |a Includes bibliographical references (pages 253-262) and index. 
588 0 |a Print version record. 
505 0 |a Theory. Starting over: intersubjectivity and narrative -- Representing deep intersubjectivity: narrative practices. Case studies: deep intersubjectivity and genre. Comedy, film and film comedy -- Deep intersubjectivity and the subversion of comedy -- Deep intersubjectivity and masquerade. 
520 1 |a "In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on Western literature and culture. The author studies narrative practices in two ways: one pairing eighteenth- and nineteenth-century British novels (Moll Flanders and Great Expectations, for example), and the other studying genre practices - comedy, anti-comedy and masquerade - in written and film narrative (Jane Austen and His Girl Friday, for example, and Hitchcock's Cary Grant films)."--Jacket. 
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650 0 |a Intersubjectivity. 
650 0 |a Narration (Rhetoric) 
650 0 |a Motion pictures  |x History. 
650 0 |a Consciousness in literature. 
650 0 |a Intersubjectivity in literature. 
650 0 |a Psychological fiction, American  |x History and criticism. 
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