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Puccini's Turandot : the end of the great tradition /

Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Ashbrook, William, 1922-2009 (Autor), Powers, Harold (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, [1991]
Colección:Princeton studies in opera.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Puccini's Turandot :  |b the end of the great tradition /  |c William Ashbrook and Harold Powers. 
264 1 |a Princeton, N.J. :  |b Princeton University Press,  |c [1991] 
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490 1 |a Princeton studies in opera 
504 |a Includes bibliographical references (pages 185-188) and index. 
505 0 |a The opera. Turandot and the great tradition ; Turandot as a number opera ; Turandot and the prince -- The sources. Turandot as a spoken play ; Turandot as opera before Puccini -- The genesis. Rising action ; Falling action -- The four colors. Chinoiserie ; Dissonances and half-steps ; Persian prince and Chinese slave ; The Puccinian norm -- The two duets. The enigma scene ; The final problem -- Turandot staged. The prima assoluta ; The travels of Turandot. 
588 0 |a Print version record. 
520 |a Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, B. 
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