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Cinema at the margins /
More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Anthem Press,
[2013]
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| Colección: | New perspectives on world cinema.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Part 1. Genre
- The future catches up with the past: Peter Bogdanovich's targets
- Surrealism and sudden death in the films of Lucio Fulci
- Flash Gordon and the 1930s and 40s science fiction serial
- Just the facts, man: the complicated genesis of television's Dragnet
- The disquieting aura of Fabián Bielinsky
- Part 2. History
- Fast worker: the films of Sam Newfield
- The power of resistance: Les Dames du Bois de Boulogne
- Beyond characterization: performance in 1960s
- Experimental cinema
- Vanishing point: the last days of film
- Part 3. Interviews
- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini
- Margin call: an interview with J.C. Chandor
- "All my films are personal": an interview with Pat Jackson
- Working within the system: an interview with Gerry O'Hara
- Andrew V. McLaglen: last of the Hollywood professionals
- Pop star, director, actor: an interview with Michael Sarne.