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Cinema at the margins /
More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Anthem Press,
[2013]
|
| Colección: | New perspectives on world cinema.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dixon, Wheeler W., |d 1950- |e author. | |
| 245 | 1 | 0 | |a Cinema at the margins / |c Wheeler Winston Dixon. |
| 264 | 1 | |a London ; |a New York : |b Anthem Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (xvii, 220 pages) : |b illustrations | ||
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| 490 | 1 | |a New perspectives on world cinema | |
| 504 | |a Includes bibliographical references (pages 205-212) and index. | ||
| 505 | 0 | |a Part 1. Genre -- The future catches up with the past: Peter Bogdanovich's targets -- Surrealism and sudden death in the films of Lucio Fulci -- Flash Gordon and the 1930s and 40s science fiction serial -- Just the facts, man: the complicated genesis of television's Dragnet -- The disquieting aura of Fabián Bielinsky -- Part 2. History -- Fast worker: the films of Sam Newfield -- The power of resistance: Les Dames du Bois de Boulogne -- Beyond characterization: performance in 1960s -- Experimental cinema -- Vanishing point: the last days of film -- Part 3. Interviews -- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini -- Margin call: an interview with J.C. Chandor -- "All my films are personal": an interview with Pat Jackson -- Working within the system: an interview with Gerry O'Hara -- Andrew V. McLaglen: last of the Hollywood professionals -- Pop star, director, actor: an interview with Michael Sarne. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s? This collection of essays aims to highlight some of the lesser-known treasures of the past--those titles that have been pushed aside by today's wave of cinema amnesia | ||
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| 655 | 7 | |a History |2 fast | |
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| 830 | 0 | |a New perspectives on world cinema. | |
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