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Mad loves : women and music in Offenbach's Les contes d'Hoffmann /
"In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, NJ :
Princeton University Press,
©2000.
|
| Colección: | Princeton studies in opera.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hadlock, Heather, |e author. | |
| 245 | 1 | 0 | |a Mad loves : |b women and music in Offenbach's Les contes d'Hoffmann / |c Heather Hadlock. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c ©2000. | |
| 300 | |a 1 online resource (165 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Princeton studies in opera | |
| 504 | |a Includes bibliographical references, discography (page 158), videography (page 159) , and index. | ||
| 505 | 0 | |a Telling the Tales -- Mesmerizing voices: music, medicine, and the invention of Dr. Miracle -- Song as symptom: Antonia, Olympia, and the Prima Donna Mother -- Offenbach, for posterity -- Reflections on the Venetian Act. | |
| 546 | |a English. | ||
| 520 | 1 | |a "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--Jacket | |
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| 600 | 1 | 1 | |a Offenbach, Jacques, |d 1819-1880. |t Contes d'Hoffmann. |
| 600 | 1 | 6 | |a Offenbach, Jacques, |d 1819-1880 |t Contes d'Hoffmann. |
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| 600 | 1 | 7 | |a Offenbach, Jacques. |t Contes d'Hoffmann. |2 swd |
| 650 | 0 | |a Women in opera. | |
| 650 | 6 | |a Femmes à l'opéra. | |
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| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
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