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Transnational representations : the state of Taiwan film in the 1960s and 1970s /
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden age of the 1960s and 1970s, which saw innovations in plot, theme and genre as directors highlighted the complexities of Taiwan's position in the world. Combining a concise overview of Taiwan film...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
Hong Kong University Press,
©2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgments
- Introduction
- 1. Framing Taiwan cinema : perspectives on history in Hou Hsiao-hsien's Three times
- Two stage brothers : tracing a common heritage in Xie Jin and Li Xing's early 1960s films
- Projecting a state that does not exist : the politics of migration in Bai Jingrui's 1970 film Home sweet home
- Gender negotiation in Song Cunshou's Story of mother and Taiwan cinema of the early 1970s
- Conclusion : transnationalism and the structure of feeling of Taiwan cinema in the late 1970s.