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|a UAMI
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|a Banks, Miranda J.,
|d 1972-
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245 |
1 |
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|a The writers :
|b a history of American screenwriters and their Guild /
|c Miranda J. Banks.
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264 |
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|a New Brunswick, New Jersey :
|b Rutgers University Press,
|c [2015].
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|c ©2015
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|a 1 online resource (xi, 328 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Introduction -- The artist employee -- Two front lines -- The infant prodigy -- Mavericks -- Confederation -- Conclusion.
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|a Print version record.
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|a The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. Featuring in-depth interviews with over fifty writers--including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson--The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild. With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, the Second World War, the blacklist, the ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, drawing upon American cultural history, film and television scholarship, and the passionate politics of labor and management. --
|c Publisher
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Writers Guild of America
|x History.
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|a Writers Guild of America
|2 fast
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|a Motion picture authorship
|z United States
|x History.
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|a Motion picture industry
|x Employees
|x Labor unions
|z United States.
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650 |
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|a Television broadcasting
|x Employees
|x Labor unions
|z United States.
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650 |
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|a Screenwriters
|z United States
|v Interviews.
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650 |
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|a Cinéma
|x Art d'écrire
|z États-Unis
|x Histoire.
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650 |
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|a Cinéma
|x Industrie
|x Personnel
|x Syndicats
|z États-Unis.
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|a Télévision
|x Personnel
|x Syndicats
|z États-Unis.
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650 |
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|a Scénaristes
|z États-Unis
|v Entretiens.
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650 |
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|a DRAMA
|x American.
|2 bisacsh
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|a PERFORMING ARTS
|x Business Aspects.
|2 bisacsh
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|a Television broadcasting
|x Employees
|x Labor unions
|2 fast
|
650 |
|
7 |
|a Motion picture industry
|x Employees
|x Labor unions
|2 fast
|
650 |
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7 |
|a Motion picture authorship
|2 fast
|
650 |
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|a Screenwriters
|2 fast
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|a United States
|2 fast
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|a History
|2 fast
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|a Interviews
|2 fast
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776 |
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|i Print version:
|a Banks, Miranda J., 1972-
|t Writers
|z 9780813571393
|w (DLC) 2014014280
|w (OCoLC)878111525
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt13x1g19
|z Texto completo
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|a Askews and Holts Library Services
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|n AH36650004
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|a Coutts Information Services
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|a De Gruyter
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