MARC

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019 |a 898086023  |a 1087859795 
020 |a 9781442619173  |q (electronic bk.) 
020 |a 1442619171  |q (electronic bk.) 
020 |a 9781442619180  |q (electronic bk.) 
020 |a 144261918X  |q (electronic bk.) 
020 |z 9781442648999 
020 |z 1442648996 
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035 |a (OCoLC)894227448  |z (OCoLC)898086023  |z (OCoLC)1087859795 
037 |a 22573/ctt96wck6  |b JSTOR 
037 |a 52B697E1-CD88-4795-A406-6785E2A47802  |b OverDrive, Inc.  |n http://www.overdrive.com 
050 4 |a PQ4634.S224  |b Z735 2014eb 
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100 1 |a Schmitt, Natalie Crohn,  |e author. 
245 1 0 |a Befriending the commedia dell'arte of Flaminio Scala :  |b the comic scenarios /  |c Natalie Crohn Schmitt. 
264 1 |a Toronto :  |b University of Toronto Press,  |c 2014. 
300 |a 1 online resource (xiii, 328 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Toronto Italian studies 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 8 |a Annotation  |b The most important theatrical movement in sixteenth- and early seventeenth-century Europe, the commedia dell'arte has inspired playwrights, artists, and musicians including Molière, Dario Fo, Picasso, and Stravinsky. Because of its stock characters, improvised dialogue, and extravagant theatricalism, the commedia dell'arte is often assumed to be a superficial comic style. With Befriending the Commedia dell'Arte of Flaminio Scala, Natalie Crohn Schmitt demolishes that assumption. By reconstructing the commedia dell'arte scenarios published by troupe manager Flaminio Scala (1547-1624), Schmitt demonstrates that in its Golden Age the commedia dell'arte relied as much on craftsmanship as on improvisation and that Scala's scenarios are a treasure trove of social commentary on early modern daily life in Italy. In the book, Schmitt makes use of her intensive research into the social and cultural history of sixteenth-century Italy and the aesthetic principles of the period. She combines this research with her insights drawn from studying with contemporary commedia dell'arte performers and from directing a production of one of Scala's scenarios. The result is a new perspective on the commedia dell'arte that illuminates the style's full richness. 
505 0 |a Part One: Context, Culture, and Aesthetics. 1 Befriending the Text -- 2 Character Relationships -- 3 The Setting and Life in the Street Method -- 4 Invention. 
505 8 |a Part Two: Scenario Reconstructions. Method -- 5 Day 6: The Jealous Old Man -- 6 Day 21: The Fake Sorcerer -- 7 Day 25: The Jealous Isabella -- 8 Day 36: Isabella [the] Astrologer -- Conclusion -- Appendix: List of All Scala Scenarios. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
600 1 0 |a Scala, Flaminio,  |d active 1620  |x Criticism and interpretation. 
600 1 6 |a Scala, Flaminio,  |d activité 1620  |x Critique et interprétation. 
600 1 7 |a Scala, Flaminio,  |d active 1620  |2 fast 
600 1 7 |a Scala, Flaminio  |d ca. vor 1570- nach 1620  |2 gnd 
650 0 |a Commedia dell'arte  |v Stories, plots, etc. 
650 6 |a Commedia dell'arte  |v Histoires, intrigues, etc. 
650 7 |a DRAMA  |x Continental European.  |2 bisacsh 
650 7 |a HISTORY  |x Renaissance.  |2 bisacsh 
650 7 |a Commedia dell'arte  |2 fast 
650 7 |a Commedia dell'arte  |2 gnd 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a Stories, plots, etc.  |2 fast 
776 0 8 |i Print version:  |a Schmitt, Natalie Crohn.  |t Befriending the commedia dell'arte of Flaminio Scala  |z 9781442648999  |w (OCoLC)880237302 
830 0 |a Toronto Italian studies. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.3138/j.ctt9qh945  |z Texto completo 
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