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The autobiographical turn in germanophone documentary and experimental film /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, New York :
Camden House,
2014.
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| Colección: | Screen cultures.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ""Frontcover""; ""Contents""; ""Preface""; ""Introduction: Whither Autobiography? The Difficulties of Saying “I� in the German Context""; ""Part I. The Geographies of Self-Inscription""; ""1: “If People Want to Oppress You, They Make You Say �I��: Hito Steyerl in Conversation""; ""2: The Impertinence of Saying “I�: Sylvia Schedelbauer�s Personal Documentaries""; ""3: Geography of a Swiss Body: Peter Liechti�s Hans im Gl�ck""; ""4: Reading Helke Misselwitz�s Winter Adé as Multivocal Autobiography""; ""Part II. Subalterities of Gender, Race, and Nation""
- ""5: How Does It Feel to Be Foreign? Negotiating German Belonging and Transnational Asianness in Experimental Video""""6: Frankfurt Canteen: Eva Heldmann�s fremd gehen. Gespr�che mit meiner Freundin""; ""Part III. Our Parents, Our Selves: Families Framed by History""; ""7: Mediated Memories of Migration and the National Visual Archive: Fatih Akın�s Wir haben vergessen zur�ckzukehren""; ""8: History Runs through the Family: Framing the Nazi Past in Recent Autobiographical Documentary""; ""9: Clearing Out Family History: Thomas Haemmerli�s Sieben Mulden und eine Leiche""
- ""Part IV. Revisiting Authorship in New German Cinema""""10: Reauthoring the Self: Brinkmanns Zorn""; ""11: From Death to Life: Wim Wenders, Autobiography, and the Natural History of Cinema""; ""12: “Ich bin�s, Fassbinder, � or The Timing of the Self""; ""Filmography""; ""Bibliography""; ""Notes on the Contributors""; ""Index""