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Unhomely Cinema : Home and Place in Global Cinema.
Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. ""Unhomely Cinema"" explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today's global societies.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Anthem Press,
2014.
|
| Colección: | Anthem Global Media and Communication Studies, New Perspectives on World Cinema.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Avery, Dwayne. | |
| 245 | 1 | 0 | |a Unhomely Cinema : |b Home and Place in Global Cinema. |
| 260 | |a London : |b Anthem Press, |c 2014. | ||
| 300 | |a 1 online resource (148 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Anthem Global Media and Communication Studies, New Perspectives on World Cinema | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Unhomely Cinema; Title; Copyright; CONTENTS; Introduction UNHOMELY CINEMA; Going Home: The Problem of Dwelling in Contemporary Film; Chapters; Chapter 1 AN UNHOMELY THEORY; The Uncanny '90s; The Freudian Uncanny; From the Uncanny to the Unhomely; Unhomely Space; Exile and Migration: Traversing the Unhomely ; Unhomely Cinema; Unhomely Narrative; Chapter 2 THE DECLINE OF THE FAMILY: HOME AND NATION IN KRZYSZTOF KIESLOWSKI'S THE DECALOGUE; The Politics of Domestic Uncertainty ; Blurring the Boundaries of Home and Nation ; A Socialist Complex: Mapping the Communist Home. | |
| 505 | 8 | |a A Present Future: Mapping the Flows of the Postindustrial CityEpisode 6: Remote Control or Contact at a Distance; The Network of Remote Control ; Episode 10: Guarding the Home at All Costs; Conclusion; Chapter 3 THE FUTURE IS BEHIND YOU: GLOBAL GENTRIFICATION AND THE UNHOMELY NATURE OF DISCARDED PLACES; Nostalgia, Technology and the Home; The Future Is behind You; Disruption One; The City in Film: The New Process of Gentrification; Disruption Two: Memory, Media and the Forgotten World of Junkspace; "Sweding": A Lesson in Creative Erasure; Disruption Three; Conclusion. | |
| 505 | 8 | |a Chapter 4 NO PLACE TO CALL HOME: WORK AND HOME IN PAUL THOMAS ANDERSON'S PUNCH DRUNK LOVE AND JASON REITMAN'S UP IN THE AIRIntroduction: The Unhomely Spaces of Home and Work; No Place to Call Home: Work and Home in Punch Drunk Love and Up in the Air; The Home as Moral Centre ; Air Miles Promotions: Consumption as New Labour ; Intimacy, Distance and the Home; Love and the Home's Redemption; Conclusion; Chapter 5 THE TERRIBLE LIGHTNESS OF BEING MOBILE: CELL PHONE AND THE DISLOCATION OF HOME; Mobile Work and Play: The Uncanny Feeling of Being Everywhere; Film and Phones. | |
| 505 | 8 | |a Escape from the Home: The Flexibility and Burden of a Mobile Life The Unbearable Lightness of Being Connected; The Ideal Female Phone; Chapter 6 UNHOMELY REVOLT IN LAURENT CANTET'S TIME OUT; Introduction; Unemployment and the Experience of Free Fall; Vincent's Time Out: Orbiting as an Escape from the Ground of Reality ; Cell Phone Connections: A Home away from Home ; The Return to Work: A Case of Déjà Vu; Conclusion: The Return to Work as the Precondition for a Free Fall; CONCLUSION; A Look Back or an Unhomely Return; The Scale of the Unhomely; Hybridity; Motilities; The Right to the Home. | |
| 504 | |a Referencesindex. | ||
| 520 | |a Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. ""Unhomely Cinema"" explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today's global societies. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Home in motion pictures. | |
| 650 | 0 | |a Families in motion pictures. | |
| 650 | 6 | |a Foyer au cinéma. | |
| 650 | 6 | |a Familles au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Families in motion pictures. |2 fast |0 (OCoLC)fst00920369 | |
| 650 | 7 | |a Home in motion pictures. |2 fast |0 (OCoLC)fst00959308 | |
| 776 | 0 | 8 | |i Print version: |a Avery, Dwayne. |t Unhomely Cinema : Home and Place in Global Cinema. |d London : Anthem Press, ©2014 |z 9781783083022 |
| 830 | 0 | |a Anthem Global Media and Communication Studies, New Perspectives on World Cinema. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1gxp6vj |z Texto completo |
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