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Breaking time's arrow : experiment and expression in the music of Charles Ives /
Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives'...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Ind. :
Indiana University Press,
Ã2014.
Ã2014 |
| Colección: | Musical meaning and interpretation.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a McDonald, Matthew |q (Matthew James), |e author. | |
| 245 | 1 | 0 | |a Breaking time's arrow : |b experiment and expression in the music of Charles Ives / |c Matthew McDonald. |
| 260 | |a Bloomington, Ind. : |b Indiana University Press, |c Ã2014. | ||
| 264 | 4 | |c Ã2014 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Musical meaning and interpretation | |
| 504 | |a Includes bibliographical references (pages 179-185) and index. | ||
| 505 | 0 | |a God/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style. | ||
| 542 | |n All rights reserved. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Ives, Charles, |d 1874-1954 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Ives, Charles, |d 1874-1954. |2 fast |0 (OCoLC)fst00052264 |
| 600 | 1 | 7 | |a Ives, Charles |d 1874-1954 |2 gnd |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a McDonald, Matthew (Matthew James). |t Breaking time's arrow. |d Bloomington ; Indianapolis : Indiana University Press, [2014] |z 9780253012739 |w (DLC) 2014012350 |w (OCoLC)852457678 |
| 830 | 0 | |a Musical meaning and interpretation. | |
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