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Second Person Singular : Late Victorian Women Poets and the Bonds of Verse.
Emily Harrington offers a new history of women's poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish rel...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
University of Virginia Press,
2014.
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| Colección: | Victorian literature and culture series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Harrington, Emily. | |
| 245 | 1 | 0 | |a Second Person Singular : |b Late Victorian Women Poets and the Bonds of Verse. |
| 260 | |b University of Virginia Press, |c 2014. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Victorian Literature and Culture Series | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a "I, for thou callest such": Christina Rossetti's heavenly intimacy -- "Appraise love and divide": measuring love in Augusta Webster's Mother and daughter -- The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee -- "Be loved through thoughts of mine": Alice Meynell's intimate distance -- "So I can wait and sing": Dollie Radford's poetics of waiting -- Conclusion: Mary E. Coleridge and the second person plural. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Emily Harrington offers a new history of women's poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Lyric poetry |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a English poetry |x Women authors |x History and criticism. | |
| 650 | 0 | |a English poetry |y 19th century |x History and criticism. | |
| 650 | 6 | |a Poésie lyrique |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Poésie anglaise |y 19e siècle |x Histoire et critique. | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English poetry. |2 fast |0 (OCoLC)fst00912278 | |
| 650 | 7 | |a English poetry |x Women authors. |2 fast |0 (OCoLC)fst00912353 | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Harrington, Emily, 1975- |t Second person singular : late Victorian women poets and the bonds of verse. |d Charlottesville, Virginia ; London : University of Virginia Press, ©2014 |h xi, 231 pages |k Victorian literature and culture series. |z 9780813936123 |
| 830 | 0 | |a Victorian literature and culture series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7zwd9f |z Texto completo |
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