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Closely watched films : an introduction to the art of narrative film technique /
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page 4 of cover
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2014.
|
| Edición: | Tenth anniversary edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fabe, Marilyn. | |
| 245 | 1 | 0 | |a Closely watched films : |b an introduction to the art of narrative film technique / |c Marilyn Fabe. |
| 250 | |a Tenth anniversary edition. | ||
| 260 | |a Berkeley : |b University of California Press, |c 2014. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; CLOSELY WATCHED FILMS; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction; 1 The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation; 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin; 3 Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer; 4 The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday; 5 Expressive Realism: Orson Welles's Citizen Kane; 6 Italian Neorealism: Vittorio De Sica's The Bicycle Thief. | |
| 505 | 8 | |a 7 Auteur Theory and the French New Wave: François Truffaut's The 400 Blows8 Hollywood Auteur: Alfred Hitchcock's Notorious; 9 The European Art Film: Federico Fellini's 8 1/2; 10 Film and Postmodernism: Woody Allen's Annie Hall; 11 Political Cinema: Spike Lee's Do the Right Thing; 12 Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing; 13 Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar; Notes; Glossary; Bibliography; Index. | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page 4 of cover | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |x Evaluation. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Motion pictures |x Evaluation |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Fabe, Marilyn. |t Closely Watched Films. |d Berkeley : University of California Press, 2014 |z 9780520279971 |
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