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Film theory : creating a cinematic grammar /
Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers, including the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, Miriam Hansen, bell hooks, Siegfried Kracauer, Raul Ruiz, P. Adams Sitney, Bernard Stiegler, and Pier Pao...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
2014.
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| Colección: | Short cuts (London, England)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Colman, Felicity, |d 1967- | |
| 245 | 1 | 0 | |a Film theory : |b creating a cinematic grammar / |c Felicity Colman. |
| 260 | |a New York : |b Columbia University Press, |c 2014. | ||
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| 490 | 1 | |a Short Cuts. Introductions to film studies | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Introduction: The Written Matter of a Cinematic Grammar -- |t 1. Models -- |t 2. Technology -- |t 3. Spectators -- |t Conclusion: Film Theory as Practice -- |t Bibliography -- |t Index. |
| 520 | |a Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers, including the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, Miriam Hansen, bell hooks, Siegfried Kracauer, Raul Ruiz, P. Adams Sitney, Bernard Stiegler, and Pier Paolo Pasolini. This volume takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a language, and is thus applicable to wider range of media forms. In their creation of authorial trends, identification of the technology of cinema as a creative force, and production of films as aesthetic markers, film theories contribute an epistemological resource that connects the technologies of filmmaking and film composition. This book explores these connections through film theorisations of processes of the diagrammatisation (the systems, methodologies, concepts, histories) of cinematic matters of the filmic world. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Film criticism. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Film criticism |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 773 | 0 | 8 | |i Druckausg.: |t Film theory. |
| 776 | 0 | 8 | |i Print version: |a Colman, Felicity. |t Film Theory : Creating a Cinematic Grammar. |d New York : Columbia University Press, ©2014 |z 9780231169738 |
| 830 | 0 | |a Short cuts (London, England) | |
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