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Art history and fetishism abroad : global shiftings in media and methods /
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript Verlag,
[2014]
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| Colección: | Image (Transcript (Firm)) ;
Volume 54. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad
- an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity.
- Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity.
- Incorporations of the Other
- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes.