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Art history and fetishism abroad : global shiftings in media and methods /

By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Genge, Gabriele (Editor ), Stercken, Angela (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript Verlag, [2014]
Colección:Image (Transcript (Firm)) ; Volume 54.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Art history and fetishism abroad :  |b global shiftings in media and methods /  |c Gabriele Genge, Angela Stercken (eds.). 
264 1 |a Bielefeld :  |b Transcript Verlag,  |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (324 pages) :  |b illustrations (some color) 
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490 1 |a Image ;  |v Volume 54 
504 |a Includes bibliographical references. 
520 |a By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called "fetishes" take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods 
505 0 |6 880-01  |a Cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad -- an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity. 
505 8 |a Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity. 
505 8 |a Incorporations of the Other -- Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes. 
588 0 |a Print version record. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Fetishism in art. 
650 4 |a Visual Arts  |x General. 
650 4 |a Visual Arts. 
650 4 |a Art, Architecture & Applied Arts. 
650 6 |a Fétichisme dans l'art. 
650 7 |a ART  |x History  |x General.  |2 bisacsh 
650 7 |a ART / History / General  |2 bisacsh 
650 7 |a Fetishism in art  |2 fast 
700 1 |a Genge, Gabriele,  |e editor. 
700 1 |a Stercken, Angela,  |e editor. 
776 0 8 |i Print version:  |t Art history and fetishism abroad.  |d Bielefeld : Transcript Verlag, ©2014  |z 9783837624113  |w (OCoLC)863195569 
830 0 |a Image (Transcript (Firm)) ;  |v Volume 54. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371ck94  |z Texto completo 
880 0 0 |6 505-01/(S  |t Frontmatter --  |t Content --  |t Preface --  |t Being Abroad -- an Introduction /  |r Genge, Gabriele ; Stercken, Angela --  |t Survival of ImagesFetish and the Concept of the Image between West Africa and Europe /  |r Genge, Gabriele --  |t Speared Heads. Portraits as Things in 20th-Century Sculpture /  |r Körner, Hans --  |t Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obide ε Aba : Time Will Tell /  |r Okoye, Ikem Stanley --  |t Currency Affairs. Photography and Productivity /  |r Meincke, Kerstin --  |t Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art" /  |r Ogbechie, Sylvester Okwunodu --  |t [Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic /  |r Stercken, Angela --  |t On a PedestalOn the Problem of the Sculptural as a Category of Perception for Islamic Objects /  |r Troelenberg, Eva-Maria --  |t Bocio. From Nothingness to Liminality and Minimality /  |r Adandé, Joseph C.E. --  |t Encounters with Masks: Counter-Primitivism in 20 /  |r Kravagna, Christian --  |t Fetishising Modernity: Bricolage Revisited /  |r Picton, John --  |t Fixing Shadows: Photography Beyond the Indexical /  |r Reinhardt, Thomas --  |t Incorporations of the Other -- Exotic Objects, Tropicalism, and Anthropophagy /  |r Karentzos, Alexandra --  |t Monumentality and Transnationality: The Fascination with Gigantic D ing Bronze Vessels in Modern China /  |r Tseng, Lillian Lan-ying --  |t Why have there been no Great ForgeriesCollectors, Artifacts, and the Question of Originality /  |r Ulz, Melanie --  |t Biographical Notes. 
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