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Toscanini in Britain /
Although the most renowned conductor of his era, Toscanini spent much of the first half of his career in a handful of opera houses in Italy and the United States: only in the 1920s did he start to conduct in the world's great capital cities. Among these centres, London became the most favoured;...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dyment, Christopher. | |
| 245 | 1 | 0 | |a Toscanini in Britain / |c Christopher Dyment. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
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| 500 | |a Title from publishers bibliographic system (viewed on 11 Apr 2014). | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Frontcover; frontispiece; Contents; Illustrations; Foreword by Harvey Sachs; Introduction; Acknowledgements; Artuco Toscanini -- Chronicle of A Life, 1867-1957; Chapter 1 1900-30: Towards the Philharmonic Tour; Covent Garden -- the performance of 9 June 1900; 1 Turin's debonair Wagnerite: Toscanini in 1895; If at first you don't succeed ... ; 1920: Toscanini returns to La Scala; London doldrums; The New York Philharmonic's European tour -- the Maestro ascendant; 2 The New york Philharmonic-Symphony Orchestra bound for Europe 1930; 3 Erich Kleiber greets Toscanini, Berlin, May 1930. | |
| 505 | 8 | |a Four London concerts: the critics enamoured4 Lionell Powell's poster for the Philharmonic's London concerts, 1930; 5 Sir George Henschel's letter to Toscanini dated 4 June 1930; Post-Philharmonic fallout: the Newman effect; A new orchestra broadcasts; Chapter 2 1931-35: The London Music Festival 1935; Getting him back -- at sixty-eight; 6 Wally, Wanda and Horowitz, London 1933; First concert: 'the world's master conductor' -- and the Enigma dissected; Three more concerts, several diversions; A press conference and some retrospectives; Chapter 3 Recording the 1935 Concerts; The barricade. | |
| 505 | 8 | |a Breaching the barricade7-10 HMV quartet: Fred Gaisberg, Rex Palmer, Lawrance Collingwood, David Bicknell; A fatal delay; Enter Newman; Losing him ... ; Chapter 4 1936-37: The London Music Festival 1937; ... getting him back again; 11 The Isolino San Giovanni, Lake Maggiore; Back at last -- to a 'better orchestra'; 12 Toscanini and Carla in London, c. 1937; 13-16 A quartet of BBC orchestra players: Paul Beard, Frederick Thurston, Archie Camden, Ernest Hall; The first concert -- greatness revealed and analysed; Three more concerts: the Maestro is happy; 17 Toscanini and Tommasini; To Oxford. | |
| 505 | 8 | |a 18 Sir Hugh Allen in 1938Distractions and expeditions; 19 Toscanini, Carla and Ernest Newman, June 1937; 20 Toscanini's appeal on behalf of Busoni's widow, London, June 1937; 21 Toscanini, Bruno Walter and Stefan Zweig, Salzburg 1934; In love with the Maestro; The two final concerts; Chapter 5 The First HMV Recording Session; Persuasion; 22 Toscanini in Riverdale, 1950s, with Sir Louis and Lady Sterling; 17 June 1937; Friends or rivals?; Chapter 6 Autumn 1937: two Choral concerts and More Records; Preparations and return; More recordings; Two concerts, several diversions. | |
| 505 | 8 | |a Chapter 7 1938: The London Music Festival 1938Changes and exchanges; Two concerts and a soloist -- Cardus and Newman agree; 23-24 Don Quixote soloists: Emanuel Feuermann, Bernard Shore; Travails and two requiems; Entertaining Maestro Toscanini; 25-27 Entertaining the Maestro: Sybil Cholmondeley, Irene Curzon, Pagani's; Glyndebourne plots; 28 Toscanini and Adolf Busch, Salzburg, 1936; 29 Adolf and Fritz Busch at Glynebourne; A recording session, a concert and a walkout; The sixth concert: HMV acts without delay; Chapter 8 1939: The Last London Music Festival; Getting back in peacetime. | |
| 520 | |a Although the most renowned conductor of his era, Toscanini spent much of the first half of his career in a handful of opera houses in Italy and the United States: only in the 1920s did he start to conduct in the world's great capital cities. Among these centres, London became the most favoured; Toscanini's thirty concerts there between 1930 and 1952 familiarised audiences and critics with his work more thoroughly than elsewhere, apart from Italy and the United States. His activities in Britain are here recounted systematically for the first time, in particular how he came to conduct the BBC Sy. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 600 | 1 | 0 | |a Toscanini, Arturo, |d 1867-1957 |x Travel |z Great Britain. |
| 600 | 1 | 7 | |a Toscanini, Arturo, |d 1867-1957 |2 fast |0 (OCoLC)fst00004524 |
| 650 | 0 | |a Conductors (Music) |z Italy |v Biography. | |
| 650 | 6 | |a Chefs d'orchestre |z Italie |v Biographies. | |
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| 650 | 7 | |a MUSIC |x Printed Music |x Choral. |2 bisacsh | |
| 650 | 7 | |a Conductors (Music) |2 fast |0 (OCoLC)fst00874600 | |
| 650 | 7 | |a Travel. |2 fast |0 (OCoLC)fst01155558 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 651 | 7 | |a Italy. |2 fast |0 (OCoLC)fst01204565 | |
| 655 | 7 | |a Biographies. |2 fast |0 (OCoLC)fst01919896 | |
| 776 | 0 | 8 | |i Print version: |a Dyment, Christopher. |t Toscanini in Britain. |d Woodbridge : Boydell & Brewer Ltd., ©2012 |z 9781843837893 |
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