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Ring shout, wheel about : the racial politics of music and dance in North American slavery /
"In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana [Illinois] :
University of Illinois Press,
2014.
|
| Colección: | New Black studies series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Thompson, Katrina Dyonne, |e author. | |
| 245 | 1 | 0 | |a Ring shout, wheel about : |b the racial politics of music and dance in North American slavery / |c Katrina Dyonne Thompson. |
| 264 | 1 | |a Urbana [Illinois] : |b University of Illinois Press, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (257 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a New Black Studies Series | |
| 500 | |a Includes index. | ||
| 588 | 0 | |a Print verison record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on. | |
| 520 | |a "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"-- |c Provided by publisher | ||
| 546 | |a Text in English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Enslaved persons |z Southern States |v Songs and music. | |
| 650 | 0 | |a Enslaved persons |z United States |x Social life and customs. | |
| 650 | 0 | |a Race in the theater |z United States |x History. | |
| 650 | 0 | |a Theater and society |z United States |x History. | |
| 650 | 0 | |a African American dance |x History. | |
| 650 | 0 | |a Slavery |z United States |x Justification. | |
| 650 | 0 | |a Plantation life |z United States. | |
| 650 | 0 | |a Racism in popular culture |z United States |x History. | |
| 650 | 6 | |a Esclaves |z États-Unis (Sud) |v Chants et musique. | |
| 650 | 6 | |a Esclaves |z États-Unis |x Mœurs et coutumes. | |
| 650 | 6 | |a Race au théâtre |z États-Unis |x Histoire. | |
| 650 | 6 | |a Théâtre et société |z États-Unis |x Histoire. | |
| 650 | 6 | |a Danses noires américaines |x Histoire. | |
| 650 | 6 | |a Esclavage |z États-Unis |x Justification. | |
| 650 | 6 | |a Vie dans les plantations |z États-Unis. | |
| 650 | 6 | |a Racisme dans la culture populaire |z États-Unis |x Histoire. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x African American Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x General. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z United States |y 19th century. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Customs & Traditions. |2 bisacsh | |
| 650 | 7 | |a African American dance. |2 fast |0 (OCoLC)fst00799132 | |
| 650 | 7 | |a Plantation life. |2 fast |0 (OCoLC)fst01065779 | |
| 650 | 7 | |a Race in the theater. |2 fast |0 (OCoLC)fst01744919 | |
| 650 | 7 | |a Racism in popular culture. |2 fast |0 (OCoLC)fst01086660 | |
| 650 | 7 | |a Slavery |x Justification. |2 fast |0 (OCoLC)fst01120462 | |
| 650 | 7 | |a Enslaved persons. |2 fast |0 (OCoLC)fst01120522 | |
| 650 | 7 | |a Enslaved persons |x Social life and customs. |2 fast |0 (OCoLC)fst01120581 | |
| 650 | 7 | |a Theater and society. |2 fast |0 (OCoLC)fst01149315 | |
| 651 | 7 | |a Southern States. |2 fast |0 (OCoLC)fst01244550 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 0 | |a Electronic book. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Songs and music. |2 fast |0 (OCoLC)fst01985328 | |
| 776 | 0 | 8 | |i Print version: |a Thompson, Katrina Dyonne. |t Ring shout, wheel about : the racial politics of music and dance in North American slavery. |d Urbana, [Illinois] : University of Illinois Press, ©2014 |h x, 242 pages |k New Black studies. |z 9780252038259 |
| 830 | 0 | |a New Black studies series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/j.ctt7zw5wh |z Texto completo |
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